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Foreword: The De/Composer | ||
Introduction | ||
Leda and the Swan | 2 | |
Dream Song #22, 'Of 1826' | 4 | |
Disillusionment of Ten O'Clock | 6 | |
Globe | 8 | |
The Fury of Aerial Bombardment | 12 | |
The Groundhog | 14 | |
Still to Be Neat | 18 | |
Sonnet #129, 'The expense of spirit ...' | 20 | |
A Noiseless Patient Spider | 22 | |
The Man in the Dead Machine | 24 | |
I Know a Man | 26 | |
Eros Turannos | 28 | |
The Miller's Wife | 38 | |
Egyptian Dancer at Shubra | 40 | |
A Late Aubade | 42 | |
Janet Waking | 46 | |
Piazza Piece | 50 | |
Sonnet #73, 'That time of year thou mayst ...' | 52 | |
Sailing to Byzantium | 54 | |
A Supermarket in California | 58 | |
Nantucket | 62 | |
Transformations | 64 | |
Afterwards | 66 | |
The Man He Killed | 68 | |
Traveling through the Dark | 70 | |
Piano | 72 | |
A Narrow Fellow in the Grass | 80 | |
If I Shouldn't Be Alive | 82 | |
I Heard a Fly Buzz - When I Died | 84 | |
The Oxen | 86 | |
Drummer Hodge | 88 | |
God's Grandeur | 90 | |
Sonnet #67, 'I wake and feel ...' | 92 | |
A Refusal to Mourn the Death, by Fire, of a Child in London | 94 | |
The Force That Through the Green Fuse Drives the Flower | 96 | |
Repose of Rivers | 98 | |
At Melville's Tomb | 100 | |
Anecdote of the Jar | 102 | |
Thirteen Ways of Looking at a Blackbird | 104 | |
in Just- | 110 | |
anyone lived in a pretty how town | 114 | |
The Drunken Fisherman | 118 | |
Dream Song #29, 'There sat down, once ...' | 122 | |
The Bundled-Well-Hung-Up-Tight-Don't-Put-That-In-Your-Mouth-It's-Pois oned-Blues | 124 | |
Upon Julia's Clothes | 130 | |
Still to Be Neat | 132 | |
My Picture Left in Scotland | 136 | |
Preludes | 138 | |
The Sunlight on the Garden | 142 | |
My Papa's Waltz | 144 | |
Excellence | 147 | |
To Heaven | 148 | |
The Second Coming | 150 | |
They Flee from Me | 152 | |
Now Sleeps the Crimson Petal | 154 | |
Break, Break, Break | 156 | |
The Tyger | 158 | |
Ah Sunflower | 160 | |
Spring and Fall | 162 | |
Heaven-Haven | 164 | |
The Leaden Echo and the Golden Echo | 166 | |
Cavalry Crossing a Ford | 172 | |
Bivouac on a Mountain Side | 174 | |
Tears | 176 | |
The Main Deep | 178 | |
Bethsabe's Song | 180 | |
The Return | 182 | |
In a Station of the Metro | 185 | |
No Swan so Fine | 186 | |
The Mind is an Enchanting Thing | 188 | |
Bagpipe Music | 192 | |
Musee des Beaux Arts | 196 | |
Song of the Old Soldier | 198 | |
Queen-Anne's-Lace | 202 | |
Spring and All | 204 | |
Poem, 'As the cat' | 208 | |
London | 218 | |
Ozymandias | 220 | |
Skunk Hour | 222 | |
Eight O'Clock | 227 | |
Parting, Without a Sequel | 228 | |
I Never Lost As Much But Twice | 230 | |
This Be The Verse | 232 | |
Whoso List to Hunt | 234 | |
Holy Sonnet #7, 'At the round earth's ...' | 236 | |
To Autumn | 238 | |
Loveliest of Trees | 242 | |
The Fish | 244 | |
She Dwelt Among the Untrodden Ways | 250 | |
A Slumber Did My Spirit Seal | 253 | |
Bells for John Whiteside's Daughter | 254 | |
England in 1819 | 256 | |
Richard Cory | 258 | |
The Evening Darkens Over | 260 | |
Seen When Nights Are Silent | 262 | |
Sir Patrick Spens, Scottish Folk Ballad | 264 | |
Edward, Scottish Folk Ballad | 268 | |
Afterword | 277 | |
Index | 281 |
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Add De/Compositions: 101 Good Poems Gone Wrong, This original, illuminating, and sometimes quite funny poetry anthology is primarily concerned with a fundamental and familiar question: How can we tell good poetry from bad? To illustrate precisely why these 101 poems, many of them well-loved classics, a, De/Compositions: 101 Good Poems Gone Wrong to the inventory that you are selling on WonderClubX
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Add De/Compositions: 101 Good Poems Gone Wrong, This original, illuminating, and sometimes quite funny poetry anthology is primarily concerned with a fundamental and familiar question: How can we tell good poetry from bad? To illustrate precisely why these 101 poems, many of them well-loved classics, a, De/Compositions: 101 Good Poems Gone Wrong to your collection on WonderClub |