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Book Categories |
Acknowledgments | ||
Why Critical Vehicles? | ||
1 | Destinations | |
Designing for the City of Strangers (1997) | 4 | |
Interrogative Design (1994) | 16 | |
Beyond the Hybrid State? (1992) | 18 | |
Avant-Garde as Public Art: The Future of a Tradition (1984) | 27 | |
For the De-Incapacitation of the Avant-Garde in Canada (1983) | 32 | |
2 | Projections | |
Public Projection (1983) | 44 | |
Memorial Projection (1986) | 49 | |
The Venice Projections (1986) | 53 | |
The Homeless Projection: A Proposal for the City of New York (1986) | 55 | |
Projection on the Monument to Friedrich II, Kassel (1987) | 57 | |
City Hall Tower Illumination, Philadelphia (1987) | 59 | |
Speaking through Monuments (1988) | 62 | |
City Hall Tower Projection, Krakow (1996) | 64 | |
Voices of the Tower (1996) | 69 | |
3 | Vehicles | |
Vehicle (1971-73) | 76 | |
Vehicles (1977-79) | 77 | |
Homeless Vehicle Project (1988-89) | 79 | |
Conversations about a Project for a Homeless Vehicle (1988) | 86 | |
Poliscar (1991) | 95 | |
4 | Instruments | |
The Personal Instrument (1969) | 102 | |
Alien Staff (Xenobacul) (1992) | 104 | |
Alien Staff, Variant 2 (1992-93) | 106 | |
Voices of the Alien Staff (1992-96) | 108 | |
Identity and Community: Alien Staff (1994) | 115 | |
The Mouthpiece (Porte-Parole) (1993) | 118 | |
The Mouthpiece, Variants (1995-97) | 122 | |
Voices of the Mouthpiece (1994-96) | 126 | |
Xenology: Immigrant Instruments (1996) | 131 | |
AEgis: Equipment for a City of Strangers (1998) | 133 | |
5 | Questions | |
A Response to the New Museum (1991) | 140 | |
A Response to Maria Morzuch (1992) | 141 | |
A Conversation with October (1986) | 144 | |
An Interview by Roger Gilroy (1989) | 169 | |
An Interview by Jean-Christophe Royoux (1992) | 176 | |
An Interview by Bruce W. Ferguson (1991) | 182 | |
An Interview by Bruce Robbins (1996) | 194 | |
An Interview by Jaromir Jedlinski (1997) | 211 | |
Bookshelf | 220 |
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Add Critical Vehicles : Writings, Projects, Interviews, Krzysztof: Now we have the option of combining the part for bottles and cans with the sleeping part below. What [Victor] is saying is that it doesn't have to be the entire length of the body because you can sleep with legs bent. So that means it c, Critical Vehicles : Writings, Projects, Interviews to the inventory that you are selling on WonderClubX
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Add Critical Vehicles : Writings, Projects, Interviews, Krzysztof: Now we have the option of combining the part for bottles and cans with the sleeping part below. What [Victor] is saying is that it doesn't have to be the entire length of the body because you can sleep with legs bent. So that means it c, Critical Vehicles : Writings, Projects, Interviews to your collection on WonderClub |