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| Series Foreword | ||
| Acknowledgments | ||
| Introduction | 1 | |
| Symbolism To-day | 13 | |
| Dubliners | 14 | |
| Samuel Beckett and His Whoroscope | 15 | |
| Savage Humor | 17 | |
| Fiction | 21 | |
| A Master Stylist | 22 | |
| Nought into Zero | 23 | |
| Under the Jar | 26 | |
| Samuel Beckett's World of Fiction | 27 | |
| Samuel Beckett and the Death of the God-Narrator | 39 | |
| Not Going Places | 51 | |
| L'Innommable and the Hermeneutic Paradigm | 54 | |
| Naming the M/inotaur: Beckett's Trilogy and the Failure of Narrative | 62 | |
| Beckett and the Comedy of Decomposition | 70 | |
| Ashes to Ashes, Dust to Dust | 79 | |
| Theatre (Review of Waiting for Godot) | 91 | |
| Theatre (Review of Waiting for Godot) | 93 | |
| The Uneventful Event | 95 | |
| En attendant Godot: Tragedy or Comedy? | 96 | |
| Samuel Beckett and the Postmodern: Language Games, Play, and Waiting for Godot | 106 | |
| How to Read Endgame | 114 | |
| Theatre (Review of Endgame) | 118 | |
| In the Ruins of the Past: Reading Beckett Intertextually | 120 | |
| Rebuke to Nihilism | 143 | |
| Krapp's Last Tape: The Evolution of a Play, 1958-75 | 146 | |
| Beckett Country | 161 | |
| Farewell to Incompetence: Beckett's How It Is and Imagination Dead Imagine | 166 | |
| Beckett's Sociability | 176 | |
| Samuel Beckett: An Interview | 191 | |
| Conversations with Samuel Beckett | 195 | |
| It's Tragic, Mysterious and Wildly Funny: That's What You Get When the B.B.C. Asks Samuel Beckett to Write a Play | 207 | |
| Beckett Country | 209 | |
| From Characters to Discrete Events: The Evolving Concept of Dramatis Personae in Beckett's Radio Plays | 211 | |
| "To Be Is to Be Perceived" ... Time and Point of View in Beckett's Film | 219 | |
| Godot Arrives | 227 | |
| Nobel Prize: Kyrie Eleison Without God | 229 | |
| Theatre (Review of Happy Days) | 233 | |
| The Stage: Beckett's Happy Days | 235 | |
| The Parodox of Silence: Samuel Beckett's Plays | 237 | |
| The New Beckett | 245 | |
| Samuel Beckett: about him and about | 247 | |
| On the Route of a Walking Shadow: Samuel Beckett's Come and Go | 262 | |
| Bare Bones: As a lady slips her moorings, Beckett sounds a hopeful note | 273 | |
| Review: The World Premiere of Ohio Impromptu, Directed by Alan Schneider at Columbus, Ohio | 275 | |
| Impact and Parable in Beckett: A First Encounter with Not I | 278 | |
| Recontextualizing the Self: The Voice as Subject in Beckett's Not I | 287 | |
| A Rereading of the Traces | 303 | |
| Samuel Beckett: "Imagination Dead Imagine" | 309 | |
| "Silence Within": A Study of the Residua of Samuel Beckett | 310 | |
| The Impossibility of Saying the Same Old Thing the Same Old Way - Samuel Beckett's Fiction Since Comment c'est | 326 | |
| Beckett's Deconstruction of the Machine in The Lost Ones | 347 | |
| Conceptions of Inner Landscapes: The Beckettian Narrator of the Sixties and Seventies | 357 | |
| The Weaving of Penelope's Tapestry: Genre in the Works of Samuel Beckett | 367 | |
| Samuel Beckett's For to End Yet Again: A Conflict between "Syntax of Energy" and "Syntax of Weakness" | 373 | |
| Sublime Supplements: Beckett and the "Fizzling Out" of Meaning | 391 | |
| Who's Afraid of Samuel Beckett? | 403 | |
| An Intimate Look at Beckett the Man | 414 | |
| Giving Birth "Astride of a Grave," Samuel Beckett: 1906-1989 | 416 | |
| Selected Bibliography | 419 | |
| Index | 423 |
| Price | Condition | Delivery | Seller | Action |
| $120.00 | Digital |
| WonderClub |
Steven Tail
reviewed Critical Response To Samuel Beckett, Vol. 30 on July 06, 2013
Critical Response To Samuel Beckett, Vol. 30
Excellent. Simply excellent.
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Add Critical Response To Samuel Beckett, Vol. 30, Best known as the author of Waiting for Godot, Samuel Beckett was one of the most distinguished writers of the 20th century. He was awarded the Nobel Prize in 1969, and his works have secured him a lasting place in the literary canon. The critical , Critical Response To Samuel Beckett, Vol. 30 to the inventory that you are selling on WonderClubX
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Add Critical Response To Samuel Beckett, Vol. 30, Best known as the author of Waiting for Godot, Samuel Beckett was one of the most distinguished writers of the 20th century. He was awarded the Nobel Prize in 1969, and his works have secured him a lasting place in the literary canon. The critical , Critical Response To Samuel Beckett, Vol. 30 to your collection on WonderClub |
