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Introduction : the damsel's sleeve : reading through clothes in courtly love | 1 | |
Pt. I | Clothing courtly bodies | 17 |
1 | Fortune's gown : material extravagance and the opulence of love | 19 |
Pt. II | Reconfiguring desire : the poetics of touch | 57 |
2 | Amorous attire : dressing up for love | 59 |
3 | Love's stitches undone : women's work in the chanson de toile | 88 |
Pt. III | Denaturalizing sex : women and men on a gendered sartorial continuum | 119 |
4 | Robes, armor, and skin | 121 |
5 | From woman's nature to nature's dress | 149 |
Pt. IV | Expanding courtly space through eastern riches | 179 |
6 | Saracen silk : dolls, idols, and courtly ladies | 181 |
7 | Golden spurs : love in the eastern world of Floire et Blancheflor | 211 |
Coda : Marie de Champagne and the Matiere of courtly love | 231 |
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Add Courtly Love Undressed: Reading Through Clothes in Medieval French Culture, Clothing was used in the Middle Ages to mark religious, military, and chivalric orders, lepers, and prostitutes. The ostentatious display of luxury dress more specifically served as a means of self-definition for members of the ruling elite and the courtl, Courtly Love Undressed: Reading Through Clothes in Medieval French Culture to the inventory that you are selling on WonderClubX
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Add Courtly Love Undressed: Reading Through Clothes in Medieval French Culture, Clothing was used in the Middle Ages to mark religious, military, and chivalric orders, lepers, and prostitutes. The ostentatious display of luxury dress more specifically served as a means of self-definition for members of the ruling elite and the courtl, Courtly Love Undressed: Reading Through Clothes in Medieval French Culture to your collection on WonderClub |