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Book Categories |
I | European Music Before 1945 | |
From "Sketch of a New Esthetic of Music" | 3 | |
From "Monsieur Croche the Dilettante Hater" | 17 | |
Three Brief Epigrams | 30 | |
From "Notes Without Music" | 33 | |
Man and Music | 40 | |
From "Dialogues and A Dairy" | 48 | |
Why is Schoenberg's Music so Hard to Understand? | 59 | |
The Influence of Peasant Music on Modern Music | 72 | |
From "A Composer's World" | 80 | |
From "Autobiography, Articles, Reminiscences" | 99 | |
Music and the Times | 106 | |
From "The Making of Music" | 111 | |
On Winning the First Aspen Award | 115 | |
II | Experimental Music and American Developments | |
Postface to 114 Songs | 127 | |
From "New Musical Resources" | 134 | |
The Creative Mind and the Interpretive Mind | 146 | |
Folksong - American Big Business | 160 | |
On Waiting for a Libretto | 165 | |
From "The State of Music" | 170 | |
The Musical Impulse | 182 | |
The Liberation of Sound | 195 | |
Experiments in Notation | 209 | |
Space as an Essential Aspect of Musical Composition | 222 | |
Who Cares If You Listen? | 243 | |
Some Random Remarks about Electronic Music | 251 | |
Shop Talk by an American Composer | 261 | |
Thinking Twice | 274 | |
Towards a Re-merger in Music | 308 | |
Grand and Not So Grand | 316 | |
The Changing Composer - Performer Relationship: A Monologue and a Dialogue | 325 | |
Interview with Roger Reynolds | 335 | |
Composers, Performance and Publications Music, Electronic and Performed | 349 | |
An Interview with Robert Ashley, August 1964 | 362 | |
An Interview with Barney Childs, 1962 | 367 | |
III | Postmodernism and Recent Concerns | |
Five Revolutions Since 1950 | 379 | |
"Dreaming on Things to Come ..." | 384 | |
An Interview with Joseph Hausler, 1968/69 | 388 | |
On the Third String Quartet | 403 | |
Third Stream | 408 | |
Third Stream Revisited | 408 | |
Some Sound Observations | 415 | |
Music as a Gradual Process | 421 | |
An Interview with Elliott Schwartz, 1996 | 425 | |
Maximum Clarity | 430 | |
On Criticism | 440 | |
An Interview with Dorothea Redepenning, 1992 | 448 | |
"I Am Sitting in a Room" (1969) | 455 | |
An Interview with Graham Lock, 1988 | 462 | |
Composing a Viable (if Transitory) Self: Brian Ferneyhough in Conversation with James Boros | 469 | |
from "Something About the Music" | 481 |
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