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| Acknowledgements | ||
| Introduction: Gender and Genre in Chaucer's Romance | 1 | |
| Ch. 1 | Walls with Windows and Rooms with Doors: The Gendered and Genred Space Troilus and Criseyde | 21 |
| Ch. 2 | Like Father, Unlike Son: Order, Control, and Woman's Position in the Knight's and Squire's Tales | 50 |
| Ch. 3 | The Absent Woman: Generic Stasis in the Tale of Sir Thopas | 70 |
| Ch. 4 | Public Authority and Private Power in Chaucer's Two Breton Lais | 85 |
| Epilogue: On the Endings of Romance | 118 | |
| Works Cited and Consulted | 121 | |
| Index | 131 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Barbara Tuck
reviewed Conquering the Reign of Femeny: Gender and Genre in Chaucer's Romance, Vol. 22 on August 27, 2011
Conquering the Reign of Femeny: Gender and Genre in Chaucer's Romance, Vol. 22
An interesting study. I have to admit, the book was a little above my head sometimes. The author did like to use sentences as long as paragraphs, and I would recommend a working knowledge of Old English. I did enjoy what I understood, though.
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Add Conquering the Reign of Femeny: Gender and Genre in Chaucer's Romance, Vol. 22, The paradox of romance as a genre is that it contains multiple possibilities, yet remains profoundly constrained by its own terms and conventions. Through a close reading of several of Chaucer's most important works, Dr Weisl examines Chaucer's use of gen, Conquering the Reign of Femeny: Gender and Genre in Chaucer's Romance, Vol. 22 to the inventory that you are selling on WonderClubX
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Add Conquering the Reign of Femeny: Gender and Genre in Chaucer's Romance, Vol. 22, The paradox of romance as a genre is that it contains multiple possibilities, yet remains profoundly constrained by its own terms and conventions. Through a close reading of several of Chaucer's most important works, Dr Weisl examines Chaucer's use of gen, Conquering the Reign of Femeny: Gender and Genre in Chaucer's Romance, Vol. 22 to your collection on WonderClub |
