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| List of Illustrations | ||
| Preface | ||
| Photo Credits | ||
| Introduction: Can We Know What Renaissance Color Was? | 1 | |
| The Cennini System | 14 | |
| Duccio, Christ healing the Man Born Blind | 30 | |
| Giotto, Betrayal of Christ | 36 | |
| Fra Angelico, Descent from the Cross | 42 | |
| Alberti, Flemish Technique, and the Introduction of Oil | 47 | |
| Jan van Eyck, Virgin of the Canon van der Paele | 69 | |
| Domenico Veneziano, The Madonna and Child with Saints (Saint Lucy altarpiece) | 75 | |
| Piero della Francesca, Madonna and Child with Saints (Montefeltro altarpiece) | 79 | |
| Perugino, Lamentation over the Dead Christ | 85 | |
| The Modes of Coloring in the Cinquecento | 92 | |
| Leonardo da Vinci, Mona Lisa | 116 | |
| Michelangelo, The Sistine Chapel vault | 123 | |
| Raphael, Transfiguration | 130 | |
| Sebastiano del Piombo, Flagellation, Transfiguration, Prophets | 137 | |
| Andrea del Sarto, Madonna of the Harpies | 143 | |
| Mannerism and Counter-Reformation | 149 | |
| Pontormo, Entombment | 174 | |
| Bronzino, Pieta | 180 | |
| Perino del Vaga, Sala Paolina | 187 | |
| Barocci, Entombment | 193 | |
| Venice and the Development of Tonal Painting | 199 | |
| Giorgione, La Tempesta | 218 | |
| Titian, Bacchus and Ariadne | 222 | |
| Titian, Danae visited by the Shower of Gold | 226 | |
| Jacopo Tintoretto, The Last Supper | 231 | |
| Glossary | 236 | |
| Notes | 241 | |
| Bibliography | 260 | |
| Index | 269 |
| Price | Condition | Delivery | Seller | Action |
| $115.00 | Digital |
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Add Color and Meaning : Practice and Theory in Renaissance Painting, Recent restoration campaigns, particularly to the Sistine Chapel, have focused attention on the importance of colour in our experience of paintings, but until recently it has been neglected by art historians. The author believes that the work of art can o, Color and Meaning : Practice and Theory in Renaissance Painting to the inventory that you are selling on WonderClubX
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Add Color and Meaning : Practice and Theory in Renaissance Painting, Recent restoration campaigns, particularly to the Sistine Chapel, have focused attention on the importance of colour in our experience of paintings, but until recently it has been neglected by art historians. The author believes that the work of art can o, Color and Meaning : Practice and Theory in Renaissance Painting to your collection on WonderClub |