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Acknowledgments | ||
Preface | ||
Introduction: Susan Barton's Dilemma | 1 | |
Violence, Afrikaner Liberalism, and the Fiction of Andre Brink | 16 | |
The Brinkian Witness to Violence: A Dry White Season | 21 | |
Race, Sex, and Historical Narrative: Violence(s) in A Chain of Voices | 28 | |
Breyten Breytenbach's Prison Writings | 60 | |
Breyten Breytenbach's Mouroir: Producing His-Story Without Reproducing Violation | 75 | |
The Relationship Between Confession and Autobiography in The True Confessions of an Albino Terrorist | 91 | |
Forms of Violence in J. M. Coetzee's Dusklands and Waiting for the Barbarians | 110 | |
The Gun as Copula: Colonization, Rape, and the Question of Pornographic Violence in Dusklands | 110 | |
"Into the Dark Chamber": Colonization, Inquisition, and Torture in Waiting for the Barbarians | 122 | |
Conclusion: The Narrative 'Loses its Voice' | 138 | |
Epilogue | 148 | |
Bibliography | 158 | |
Index | 173 |
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Add Colonization, Violence, and Narration in White South African Writing: Andre Brink, Breyten Breytenbach, and J. M. Coetzee, The representation of pain and suffering in narrative form is an ongoing ethical issue in contemporary South African literature. Can violence be represented without sensationalistic effects, or, alternatively, without effects that tend to be conservative , Colonization, Violence, and Narration in White South African Writing: Andre Brink, Breyten Breytenbach, and J. M. Coetzee to the inventory that you are selling on WonderClubX
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Add Colonization, Violence, and Narration in White South African Writing: Andre Brink, Breyten Breytenbach, and J. M. Coetzee, The representation of pain and suffering in narrative form is an ongoing ethical issue in contemporary South African literature. Can violence be represented without sensationalistic effects, or, alternatively, without effects that tend to be conservative , Colonization, Violence, and Narration in White South African Writing: Andre Brink, Breyten Breytenbach, and J. M. Coetzee to your collection on WonderClub |