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List of figures | ||
Notes on contributors | ||
Acknowledgements | ||
1 | Introduction | 1 |
2 | The South Kensington Museum and the colonial project | 11 |
3 | Chinese material culture and British perceptions of China in the mid-nineteenth century | 28 |
4 | China in Britain: The imperial collections | 41 |
5 | Colonial architecture, international exhibitions and official patronage of the Indian artisan: The case of a gateway from Gwalior in the Victoria and Albert Museum | 52 |
6 | Stylistic hybridity and colonial art and design education: A wooden carved screen by Ram Singh | 68 |
7 | Race, authenticity and colonialism: A 'mustice' silversmith in Philadelphia and St Croix, 1783-1850 | 82 |
8 | Domesticating Uzbeks: Central Asians in Soviet decorative art of the twenties and thirties | 95 |
9 | Keys to the magic kingdom: The new transcultural collections of Bradford Art Galleries and Museums | 111 |
10 | Perspectives on Henemihi: a Maori meeting house | 129 |
11 | Maori vision and the imperialist gaze | 144 |
12 | Gathering souls and objects: Missionary collections | 153 |
13 | Photography at the heart of darkness: Herbert Lang's Congo photographs (1909-15) | 167 |
14 | Taming the tusk: The revival of chryselephantine sculpture in Belgium during the 1890s | 188 |
Bibliography | 205 | |
Index | 217 |
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