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| Editorial Note | v | |
| Translator's Note | vi | |
| List of Illustrations | xi | |
| I | ||
| Archetypes of the Collective Unconscious (Translated from "Uber die Archetypen des kollektiven Unbewussten," Von den Wurzeln des Bewusstseins (Zurich: Rascher, 1954)) | 3 | |
| The Concept of the Collective Unconscious (Originally published in English in the Journal of St. Bartholomew's Hospital (London), XLIV (1936/37)) | 42 | |
| Concerning the Archetypes, with Special Reference to the Anima Concept (Translated from "Uber den Archetypus mit besonderer Berucksichtigung des Animabegriffes," Von den Wurzeln des Bewusstseins (Zurich: Rascher, 1954)) | 54 | |
| II | ||
| Psychological Aspects of the Mother Archetype (Translated from "Die psychologischen Aspekte des Mutter-Archetypus," Von den Wurzeln des Bewusstseins (Zurich: Rascher, 1954)) | 75 | |
| 1. | On the Concept of the Archetype | 75 |
| 2. | The Mother Archetype | 81 |
| 3. | The Mother-Complex | 85 |
| I. | The Mother-Complex of the Son | 85 |
| II. | The Mother-Complex of the Daughter | 87 |
| a. | Hypertrophy of the Maternal Element | 87 |
| b. | Overdevelopment of Eros | 88 |
| c. | Identity with the Mother | 89 |
| d. | Resistance to the Mother | 90 |
| 4. | Positive Aspects of the Mother-Complex | 92 |
| I. | The Mother | 92 |
| II. | The Overdeveloped Eros | 94 |
| III. | The "Nothing-But" Daughter | 97 |
| IV. | The Negative Mother-Complex | 98 |
| 5. | Conclusion | 101 |
| III | ||
| Concerning Rebirth (Translated from "Uber Wiedergeburt," Gestaltungen des Unbewussten (Zurich: Rascher, 1950)) | 113 | |
| 1. | Forms of Rebirth | 113 |
| 2. | The Psychology of Rebirth | 116 |
| I. | Experience of the Transcendence of Life | 117 |
| a. | Experiences Induced by Ritual | 117 |
| b. | Immediate Experiences | 118 |
| II. | Subjective Transformation | 119 |
| a. | Diminution of Personality | 119 |
| b. | Enlargement of Personality | 120 |
| c. | Change of Internal Structure | 122 |
| d. | Identification with a Group | 125 |
| e. | Identification with a Cult-Hero | 128 |
| f. | Magical Procedures | 128 |
| g. | Technical Transformation | 129 |
| h. | Natural Transformation (Individuation) | 130 |
| 3. | A Typical Set of Symbols Illustrating the Process of Transformation | 135 |
| IV | ||
| The Psychology of the Child Archetype (Translated from "Zur Psychologie des Kind-Archetypus," Einfuhrung in das Wesen der Mythologie (with K. Kerenyi), 4th revised edition (Zurich: Rhein-Verlag, 1951)) | 151 | |
| I. | Introduction | 151 |
| II. | The Psychology of the Child Archetype | 160 |
| 1. | The Archetype as a Link with the Past | 160 |
| 2. | The Function of the Archetype | 162 |
| 3. | The Futurity of the Archetype | 164 |
| 4. | Unity and Plurality of the Child Motif | 165 |
| 5. | Child God and Child Hero | 165 |
| III. | The Special Phenomenology of the Child Archetype | 167 |
| 1. | The Abandonment of the Child | 167 |
| 2. | The Invincibility of the Child | 170 |
| 3. | The Hermaphroditism of the Child | 173 |
| 4. | The Child as Beginning and End | 177 |
| IV. | Conclusion | 179 |
| The Psychological Aspects of the Kore (Translated from "Zum psychologischen Aspekt der Kore-Figur," Einfuhrung in das Wesen der Mythologie (with K. Kerenyi), 4th revised edition (Zurich: Rhein-Verlag, 1951)) | 182 | |
| V | ||
| The Phenomenology of the Spirit in Fairytales (Translated from "Zur Phanomenologie des Geistes im Marchen," Symbolik des Geistes (Zurich: Rascher, 1948)) | 207 | |
| I. | Concerning the Word "Spirit" | 208 |
| II. | Self-Representation of the Spirit in Dreams | 214 |
| III. | The Spirit in Fairytales | 217 |
| IV. | Theriomorphic Spirit Symbolism in Fairytales | 230 |
| V. | Supplement | 243 |
| VI. | Conclusion | 252 |
| On the Psychology of the Trickster-Figure (Translated from part 5 of Der Gottliche Schelm, by Paul Radin, with commentaries by C. G. Jung and Karl Kerenyi (Zurich: Rhein-Verlag, 1954)) | 255 | |
| VI | ||
| Conscious, Unconscious, and Individuation (Originally written in English as "The Meaning of Individuation," in The Integration of the Personality (New York: Farrar and Rinehart, 1939; London: Kegan Paul, 1940); here revised in accordance with the German version, "Bewusstsein, Unbewusstes und Individuation," Zentralblatt fur Psychotherapie und ihre Grenzgebiete (Leipzig), XI (1939)) | 275 | |
| A Study in the Process of Individuation (Translated from "Zur Empirie des Individuationsprozesses," Gestaltungen des Unbewussten (Zurich: Rascher, 1950)) | 290 | |
| Introductory | 290 | |
| Picture 1292 | ||
| Picture 2294 | ||
| Picture 3305 | ||
| Picture 4313 | ||
| Picture 5319 | ||
| Picture 6323 | ||
| Picture 7326 | ||
| Picture 8335 | ||
| Picture 9338 | ||
| Picture 10342 | ||
| Picture 11345 | ||
| Pictures 12-24345 | ||
| Conclusion | 348 | |
| Concerning Mandala Symbolism (Translated from "Uber Mandalasymbolik," Gestaltungen des Unbewussten (Zurich: Rascher, 1950)) | 355 | |
| Appendix | Mandalas (Translated from Du (Zurich), XV:4 (April 1955)) | 385 |
| Bibliography | 391 | |
| Index | 419 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Samuel Garcia
reviewed Collected Works of C.G. Jung, Volume 9 (Part 1): Archetypes and the Collective Unconscious on October 17, 2012 Collected Works of C.G. Jung, Volume 9 (Part 1)
Jung is a mystic who sounds like a scientist. This is why his books aren't so dry that they leave you wishing they would just end. Rather, your hope you must cling to is that you have the power to process the bulk, and then maybe get to all those notes and references to another thousand books and manuscripts in one lifetime.
A difficult book, discussing many symbols that might give clues to all of us about where we're coming from. I'm just wondering if the twitteresque society of today still births children who can draw complex mandalas at age 11, as one example in this book.
Anyway, the practical application of The Archetypes is that it made me start journaling again- you know, using visual art rather than long paragraphs to express a state of mind or something you might be going through. I haven't yet felt the need to draw a mandala, or maybe I'm just censoring myself, as they're so incredibly detailed and revealing. But yeah, drawing feels like a massage for the brain. I highly recommend it- either the book, or doodling with abandon!
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