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| Preface | ||
| 1 | Some Basic Issues | 3 |
| 2 | The Function of Music Criticism | 21 |
| 3 | The Qualifications and Training of a Critic | 37 |
| 4 | Music Criticism and Journalism | 51 |
| 5 | The Principles behind Value Judgments | 78 |
| 6 | The Concert and Opera Review | 103 |
| 7 | Writing the Concert and Opera Review | 131 |
| 8 | Intentions, Program Music, and the Expression Theory | 145 |
| 9 | Reviewing Recordings | 153 |
| 10 | Reviewing Ethnic Concerts and Recordings | 166 |
| 11 | Radio and Television Criticism | 176 |
| Epilogue: Coping with the 1990s: The Public and the Press in a Time of Change | 191 | |
| Appendix | 197 | |
| Notes | 218 | |
| Bibliography | 244 | |
| About the Author | 252 | |
| Index | 253 |
| Price | Condition | Delivery | Seller | Action |
| $100.00 | Digital |
| WonderClub |
Jeannine Cotler
reviewed Classical Music Criticism on April 07, 2016
Classical Music Criticism
An interesting interpretation and collection of opinions on the Baroque - with a particular focus on Italy as 'the' land of music up until 1740
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