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List of Figures Acknowledgments Part I Introduction Chapter One: How to Describe Cinematic Fear, or Why Phenomenology? Chapter Two: Multiplexperiences: Individualized Immersion and Collective Feelings Part II Chapter Three: Frightening Fascination: A Phenomenology of Direct Horror Chapter Four: Intimidating Imaginations: A Phenomenology of Suggested Horror Chapter Five: Startling Scares: A Phenomenology of Cinematic Shock Chapter Six: Anxious Anticipations: A Phenomenology of Cinematic Dread Chapter Seven: Apprehensive Agitation: A Phenomenology of Cinematic Terror Part III Chapter Eight: Moments of Intensity: Lived-Body Metamorphoses and Experienced Time Chapter Nine: Moments of Collectivity: The Cinema of Fear and Feelings of Belongingness Chapter Ten: The End Notes Bibliography Index
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Add Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear, Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanich's path-breaking book, , Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear to the inventory that you are selling on WonderClubX
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Add Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear, Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanich's path-breaking book, , Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear to your collection on WonderClub |