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| Acknowledgments | ||
| 1 | Introduction: Mexicanidad and the Movies | 1 |
| 2 | Mexico in the Movies: Mexicanidad and the Classical Mexican Cinema | 12 |
| 3 | Collapse, Rebirth, Commercialization: Mexico and Mexican Filmmaking, 1967-1983 | 29 |
| 4 | Women's Images, Part I: The Breakdown of Traditional Roles | 55 |
| 5 | Women's Images, Part II: The Feminine Revolt - From La Malinche to La Llorona to Frida | 72 |
| 6 | The Male Image, Part I: El Macho and the State | 97 |
| 7 | The Male Image, Part II: Macho in Extremis | 117 |
| 8 | The Indian Question | 137 |
| 9 | Communities, Part I: Families and Neighborhood Groups | 157 |
| 10 | Communities, Part II: Political and Rural Groups | 175 |
| 11 | Flights and Hopeful Departures: To the City, to the North, to the Past | 190 |
| 12 | Conclusion: Lost in the Labyrinth | 211 |
| Appendix | 219 | |
| Notes | 223 | |
| Bibliography | 235 | |
| Index | 243 |
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| $99.99 | Digital |
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Add Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983, La crisis, a period of political and economic turmoil in Mexico that began in the late 1960s, spawned a new era in Mexican cinema. Known as el Nuevo Cine (the New Cinema), these films presented alienated characters caught in a painful transition period in, Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983 to the inventory that you are selling on WonderClubX
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Add Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983, La crisis, a period of political and economic turmoil in Mexico that began in the late 1960s, spawned a new era in Mexican cinema. Known as el Nuevo Cine (the New Cinema), these films presented alienated characters caught in a painful transition period in, Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983 to your collection on WonderClub |