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Book Categories |
Preface and Acknowledgments | ||
Abbreviations and Key Words | ||
Introduction: On the Language of Social Performance | 1 | |
I | Libertino Patre Natus: The Birth of the Language of Social Performance | 21 |
II | Grauitate Mixtus Lepos: The Ideologies of the Language of Social Performance | 77 |
III | DE-SVO-FECERVNT: The Language of Social Performance in the Latin Rhetorical Tradition | 88 |
IV | Suauis Grauis: The Birth of the Language of Rhetoric | 129 |
V | Non ut Vincula Virorum: The Language of Social Performance in Cicero's Speeches | 154 |
VI | Sermo Facetus et Nulla in Re Rudis: The Language of Social Performance in Cicero's de Oratore | 202 |
VII | Leporum Disertus Puer: The Language of Social Performance in Catullus | 233 |
VIII | O Omnia!: Remarks on the Subsequent History of the Language of Social Performance | 291 |
Works Cited | 317 | |
Index Rerum et Nominum | 327 | |
Index Verborum | 333 | |
Index Locorum | 339 |
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Add Cicero, Catullus, and the Language of Social Performance, Charm, wit, and style were critical, but dangerous, ingredients in the social repertoire of the Roman elite. Their use drew special attention, but also exposed one to potential ridicule or rejection for valuing style over substance. Brian A. Krostenko exp, Cicero, Catullus, and the Language of Social Performance to the inventory that you are selling on WonderClubX
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Add Cicero, Catullus, and the Language of Social Performance, Charm, wit, and style were critical, but dangerous, ingredients in the social repertoire of the Roman elite. Their use drew special attention, but also exposed one to potential ridicule or rejection for valuing style over substance. Brian A. Krostenko exp, Cicero, Catullus, and the Language of Social Performance to your collection on WonderClub |