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China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997 Book

China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997
China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997, , China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997 has a rating of 3.5 stars
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China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997, , China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997
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Digital Copy
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  • China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997
  • Written by author Nimrod Baranovitch
  • Published by University of California Press, August 2003
  • A study of popular music in contemporary China that focuses on how popular music has become a staging area for battles over politics and ethnic differences in China.
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Book Categories

Authors

List of Illustrations
Preface
Acknowledgments
Introduction1
1China Diversified: An Overview of Popular Music in the Reform Era, 1978-199710
2The Negotiation of Minority/Majority Identities and Representation in Popular Music Culture54
3Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality108
4Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity190
Notes273
References291
Index311


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