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| Acknowledgments | ||
| List of Contributors | ||
| Introduction: Rereading the Space Between | 3 | |
| 1 | Lilied Tongues and Yellow Claws: The Invention of London's Chinatown, 1915-45 | 17 |
| 2 | Over the Frontier and into the Darkness with Stevie Smith: War, Gender, and Identity | 35 |
| 3 | Citizenship in the Salon: The Public Private War of Violet Hunt | 55 |
| 4 | A Feminine Conspiracy: Contraception, the New Woman, and Empire in Rosamond Lehmann's The Weather in the Streets | 81 |
| 5 | "There is No Ordinary Life": Privacy and Domesticity in E.H. Young's Celia and Elizabeth Bowen's The Death of the Heart | 97 |
| 6 | There's No Story There: Inez Holden's Lost War Literature | 115 |
| 7 | The Politics of Modernism in Kay Boyle's Death of a Man | 137 |
| 8 | Eating the Maid: Leonora Carrington's "The Debutante" | 163 |
| 9 | T. S. Eliot in the "Journalistic Struggle" | 187 |
| Index | 213 |
| Price | Condition | Delivery | Seller | Action |
| $110.00 | Digital |
| WonderClub |
Mark Stantz
reviewed Challenging Modernism: New Readings in Literature and Culture,1914¿45 on March 14, 2013
Challenging Modernism: New Readings in Literature and Culture,1914¿45
Proving yet again that doing a concept first will get you immortalized, while doing it WELL will make you an unknown and forgotten writer at best, I also learned that in Conrad's time, people could drone on and on with metaphors and it wasn't considered cliched, but "art." I blame this book and others like it for some of the most painful literature created by students and professional writers alike.
It was like raking my fingernails across a chalkboard while breathing in a pail of flaming cat hair and drinking spoiled milk, meanwhile Conrad is screaming DARKNESS DARKNESS OOOH LOOK AT MY METAPHOR ABOUT THE DARKNESSSSSSSSSSS like a fucking goth on a loudspeaker.
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