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Introduction: Caught by History: How This Book Came About | 1 | |
1 | History's Other: Oppositional Thought and Its Discontents | 16 |
2 | Testimonies and the Limits of Representation | 41 |
3 | Autobiography as Resistance to History: Charlotte Salomon's 'Life or Theater?' | 65 |
4 | Deadly Historians: Christian Boltanski's Intervention in Holocaust Historiography | 93 |
5 | Touching Death: Armando's Quest for an Indexical Language | 123 |
6 | The Revivifying Artist: Christian Boltanski's Efforts to Close the Gap | 149 |
7 | A Master of Amazement: Armando's Self-Chosen Exile | 176 |
8 | Sublimity in the Home: Overcoming Uncanniness | 193 |
Notes | 209 | |
Works Cited | 225 | |
Index | 235 |
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Add Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory, Caught by History is a finely balanced, scholarly narrative of van Alphen's encounters with Holocaust literature, testimony, and art. It brings to our attention little-known artists, and tackles convincingly the bothersome issue of the validity of art in, Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory to the inventory that you are selling on WonderClubX
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Add Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory, Caught by History is a finely balanced, scholarly narrative of van Alphen's encounters with Holocaust literature, testimony, and art. It brings to our attention little-known artists, and tackles convincingly the bothersome issue of the validity of art in, Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory to your collection on WonderClub |