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Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31 Book

Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31
Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31, Nora, a character from Henrik Ibsen's play A Doll House, was a model for liberal-thinking Chinese women during the May Fourth Era of the 1920s and 1930s. Nora-like figures appeared often in modern Chinese literature to illustrate the issue of women's eman, Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31 has a rating of 3.5 stars
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Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31, Nora, a character from Henrik Ibsen's play A Doll House, was a model for liberal-thinking Chinese women during the May Fourth Era of the 1920s and 1930s. Nora-like figures appeared often in modern Chinese literature to illustrate the issue of women's eman, Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31
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  • Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31
  • Written by author Shuei-May Chang
  • Published by Lang, Peter Publishing, Incorporated, January 2004
  • Nora, a character from Henrik Ibsen's play A Doll House, was a model for liberal-thinking Chinese women during the May Fourth Era of the 1920s and 1930s. Nora-like figures appeared often in modern Chinese literature to illustrate the issue of women's eman
  • Nora, a character from Henrik Ibsen's play A Doll House, was a model for feminist Chinese women during the May Fourth Era of the 1920s and 1930s. In this study, Chang examines the reception and transformation of the Nora theme in the works of Lu Hs
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Authors

Acknowledgments
Ch. IIntroduction: The Pursuit of the Female Hero1
Theories of the Heroic Pattern1
The Female Hero in China12
Ch. IIThe Reception of Ibsen's Nora in China25
The Introduction of Ibsen to China25
The Nora Theme in Modern Chinese Drama39
The Nora Theme in Modern Chinese Fiction49
Ch. IIILu Hsun: Despair61
Ch. IVMao Tun: Conflict91
Ch. VTing Ling: Awakening119
Ch. VIConclusion: Further Development of the Nora Theme153
Notes173
Bibliography183
Index195


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Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31, Nora, a character from Henrik Ibsen's play A Doll House, was a model for liberal-thinking Chinese women during the May Fourth Era of the 1920s and 1930s. Nora-like figures appeared often in modern Chinese literature to illustrate the issue of women's eman, Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31

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Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31, Nora, a character from Henrik Ibsen's play A Doll House, was a model for liberal-thinking Chinese women during the May Fourth Era of the 1920s and 1930s. Nora-like figures appeared often in modern Chinese literature to illustrate the issue of women's eman, Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31

Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31

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Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31, Nora, a character from Henrik Ibsen's play A Doll House, was a model for liberal-thinking Chinese women during the May Fourth Era of the 1920s and 1930s. Nora-like figures appeared often in modern Chinese literature to illustrate the issue of women's eman, Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31

Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31

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