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Acknowledgments | ||
Ch. I | Introduction: The Pursuit of the Female Hero | 1 |
Theories of the Heroic Pattern | 1 | |
The Female Hero in China | 12 | |
Ch. II | The Reception of Ibsen's Nora in China | 25 |
The Introduction of Ibsen to China | 25 | |
The Nora Theme in Modern Chinese Drama | 39 | |
The Nora Theme in Modern Chinese Fiction | 49 | |
Ch. III | Lu Hsun: Despair | 61 |
Ch. IV | Mao Tun: Conflict | 91 |
Ch. V | Ting Ling: Awakening | 119 |
Ch. VI | Conclusion: Further Development of the Nora Theme | 153 |
Notes | 173 | |
Bibliography | 183 | |
Index | 195 |
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Add Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31, Nora, a character from Henrik Ibsen's play A Doll House, was a model for liberal-thinking Chinese women during the May Fourth Era of the 1920s and 1930s. Nora-like figures appeared often in modern Chinese literature to illustrate the issue of women's eman, Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31 to the inventory that you are selling on WonderClubX
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Add Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31, Nora, a character from Henrik Ibsen's play A Doll House, was a model for liberal-thinking Chinese women during the May Fourth Era of the 1920s and 1930s. Nora-like figures appeared often in modern Chinese literature to illustrate the issue of women's eman, Casting off the Shackles of Family: Ibsen's Nora Figure in Modern Chinese Literature, 1918-1942 (Studies on Themes and Motifs in Literature Series), Vol. 31 to your collection on WonderClub |