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Introduction : trajectories of twentieth-century music | 1 | |
1 | Peripheries and interfaces : the Western impact on other music | 18 |
2 | Music of a century : museum culture and the politics of subsidy | 40 |
3 | Innovation and the avant-garde, 1900-20 | 69 |
4 | Music, text and stage : the tradition of bourgeois tonality of the Second World War | 90 |
5 | Classic jazz to 1945 | 123 |
6 | Flirting with the vernacular : America in Europe, 1900-45 | 152 |
7 | Between the wars : traditions, modernisms, and the 'little people from the suburbs' | 186 |
8 | Brave new worlds : experimentalism between the wars | 210 |
9 | Proclaiming a mainstream : Schoenberg, Berg, and Webern | 228 |
10 | Rewriting the past : classicisms of the inter-war period | 260 |
11 | Music of seriousness and commitment : the 1930s and beyond | 286 |
12 | Other mainstreams : light music and easy listening, 1920-70 | 307 |
13 | New beginnings : the international avant-garde, 1945-62 | 336 |
14 | Individualism and accessibility : the moderate mainstream, 1945-75 | 364 |
15 | After swing : modern jazz and its impact | 395 |
16 | Music of the youth revolution : rock through the 1960s | 418 |
17 | Expanding horizons : the international avant-garde, 1962-75 | 453 |
18 | To the millennium : music as twentieth-century commodity | 478 |
19 | Ageing of the new : the museum of musical modernism | 506 |
20 | (Post-)minimalisms 1970-2000 : the search for a new mainstream | 539 |
21 | History and class consciousness : pop music towards 2000 | 557 |
22 | 'Art' music in a cross-cultural context : the case of Africa | 584 |
App. 1 | Personalia | 615 |
App. 2 | Chronology | 677 |
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