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In this remarkable study, Michael Forsyth—designer of concert halls, architect, and violinist—examines the effect of musical taste and style on architecture and the reciprocal influence that buildings and their acoustics have had on musical performance and composition.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Mark Bigonger
reviewed Buildings for Music: The Architect, the Musician, and the Listener from the 17th Century to the Present Day on January 20, 2019
Buildings for Music: The Architect, the Musician, and the Listener from the 17th Century to the Present Day
Read the first 2 chapers so far. ive never had to read a book for a class that was authored by the instructor. prof. marsh is a classic professor. he wears a tie and sports coat. he uses chalk instead of powerpoint and he insists that the students take notes with pen and paper instead of computers. he's just preaching to the choir when i'm there but i'll soak up his gospel any day of the week.
17 jan 2010
essentially read the book cover to cover. great integration of science and ecology into planning.
will marsh is a great instructor and inspiration
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