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Acknowledgements | ||
Notes on the Contributors | ||
1 | Introduction: Poetry, Society and Tradition | |
2 | Loose Women and Lonely Lambs: The Rise and Fall of Georgian Poetry | |
3 | The Falling House that Never Falls: Rupert Brooke and Literary Taste | |
4 | Lyrics of the First World War: Some Comments | |
5 | Recuperating and Revaluing: Edith Sitwell and Charlotte Mew | |
6 | Lawrence: Imagism and Beyond | |
7 | Deconstructing the High Modernist Lyric | |
8 | Ruined Boys: W. H. Auden in the 1930s | |
9 | Alternative 'Modernists': Robert Graves and Laura Riding | |
10 | Hugh MacDiarmid: Lenin and the British Literary Left in the 1930s | |
11 | British Surrealist Poetry in the 1930s | |
12 | The Poetry of the Second World War | |
13 | Edwin Muir: Reading Eternity's Secret Script | |
Index |
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Add British poetry, 1900-50, British Poetry, 1900-50, focuses on British poetry from the Georgians to the Second World War. The introduction provides a framework for the articles which follow by looking at the question of the relation between poetry and society as it appears in the w, British poetry, 1900-50 to the inventory that you are selling on WonderClubX
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Add British poetry, 1900-50, British Poetry, 1900-50, focuses on British poetry from the Georgians to the Second World War. The introduction provides a framework for the articles which follow by looking at the question of the relation between poetry and society as it appears in the w, British poetry, 1900-50 to your collection on WonderClub |