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A Note on the Form of Reference | ||
Notes on Contributors | ||
Acknowledgments | ||
Introduction | 1 | |
1 | Areopagitica, Censorship, and the Early Modern Public Sphere | 13 |
2 | Milton and the Fit Reader | 40 |
3 | The Balance of Power in Marvell's "Horatian Ode" | 69 |
4 | Oroonoko's Blackness | 86 |
5 | Lordly Accents: Rochester's Satire | 105 |
6 | Dryden's "Anne Killigrew": Towards a New Pindaric Political Ode | 114 |
7 | Ironic Monologue and "Scandalous Ambo-dexter Conformity" in Defoe's The Shortest Way with the Dissenters | 126 |
8 | Strange Complicities: Atheism and Conspiracy in A Tale of A Tub | 142 |
9 | The Rape of the Lock as Miniature Epic | 169 |
10 | Anne Finch: Gender, Politics, and Myths of the Private Self | 186 |
11 | The Spirit of Ending in Johnson and Hume | 204 |
12 | Mary Leapor Laughs at the Fathers: Reading "Crumble-Hall" | 218 |
13 | O Lachrymarum Fons: Tears, Poetry, and Desire in Gray | 233 |
14 | The Culture of Travesty: Sexuality and Masquerade in Eighteenth-Century England | 251 |
15 | Theater and Counter-Theater in Burke's Reflections on the Revolution in France | 271 |
16 | Cowper's Hares | 287 |
17 | Colonizing the Breast: Sexuality and Maternity in Eighteenth-Century England | 302 |
18 | Unparodying and Forgery: The Augustan Chatterton | 333 |
Select Bibliography | 348 | |
Index | 367 |
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