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Acknowledgments | ||
Preface | ||
Ch. 1 | Mapping the Terrain | 1 |
Ch. 2 | Diaspora as Collectivity? | 32 |
Ch. 3 | Music and Regimes of Representation | 59 |
Ch. 4 | Films and Regimes of Representation | 88 |
Ch. 5 | Riding the P. Diddy Train: Style as Performance | 109 |
Ch. 6 | Urban Legend | 128 |
Ch. 7 | Borrowed Identities | 147 |
Ch. 8 | Stylish Solidarity | 165 |
Ch. 9 | Bringing It Back Home | 191 |
Notes | 211 | |
References | 217 | |
Index | 229 |
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Add Borrowed Identities, Drawing on cultural studies, postcolonial theory, and political economy, Borrowed Identities illustrates how technological changes in the early twenty-first century have enabled media to increasingly access cultural spaces previously bounded by time and s, Borrowed Identities to the inventory that you are selling on WonderClubX
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Add Borrowed Identities, Drawing on cultural studies, postcolonial theory, and political economy, Borrowed Identities illustrates how technological changes in the early twenty-first century have enabled media to increasingly access cultural spaces previously bounded by time and s, Borrowed Identities to your collection on WonderClub |