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Acknowledgments | ||
Introduction | 1 | |
1 | "Dressed in the form of art" : the censorship and curtailment of popular entertainments | 21 |
2 | "Clean, great, and national" : the mass marketing of amusement | 43 |
3 | "Of pleasing face and form" : the sexual and the sensual on stage | 83 |
4 | "Wild woman" : Eva Tanguay as temptress and sexual rebel | 127 |
5 | "The signal of distress" : film and the fall of vaudeville | 163 |
Chapter notes | 169 | |
Selected bibliography | 187 | |
Index | 193 |
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Add Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895-1915, This work reveals the often racy, ribald, and sexually charged nature of the vaudeville stage, looking at an array of provocative performers from disrobing dancers to nude posers to skimpily dressed athletes. Examining the ways in which big-time vaudevill, Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895-1915 to the inventory that you are selling on WonderClubX
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Add Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895-1915, This work reveals the often racy, ribald, and sexually charged nature of the vaudeville stage, looking at an array of provocative performers from disrobing dancers to nude posers to skimpily dressed athletes. Examining the ways in which big-time vaudevill, Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895-1915 to your collection on WonderClub |