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Conrad's narrative polyphony in The Nigger of the "Narcissus" | 23 | |
The mosaic structure of Lord Jim : a survey of the genres and literary conventions present in this "free and wandering tale" | 39 | |
Joseph Conrad : rites of passage or writes of passage? | 63 | |
Stories of work in "Heart of darkness" | 81 | |
Conrad's vision : a postcolonial reading of Almayer's folly and "Heart of darkness" | 95 | |
The vocabulary of race in Conrad | 115 | |
Mapping ambivalence : alterity in "Heart of darkness" | 129 | |
Conrad's savage woman : from colonialism to gender | 151 | |
Arnold Bennett and Joseph Conrad : what does it mean to rewrite a classic finale | 173 | |
Parallel shades : Joseph Conrad and T. E. Lawrence | 191 | |
Nostromo, Garibaldi, and the Polish January rising (1863-64) | 209 | |
"The perfidy of a trusted providence" : Milton, Blake, and cultural vandalism in The secret agent | 229 | |
Conrad, Joyce, and the development of urban psychological cartographies | 267 | |
The avatars of the lord of the apocalypse in Under western eyes | 299 | |
Sharing gender (?) in "The secret sharer" | 319 | |
Conrad's revelations of solitude | 337 | |
Victory and rejection of ethical relativism | 357 | |
Conrad's drama in a world theatrical context | 385 | |
Rescuing "The rescuer" : the finishing of Conrad's style | 401 |
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