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Introduction : beyond structural listening? | ||
1 | The disciplined subject of musical analysis | 13 |
2 | Musical virtues | 44 |
3 | The chosen one's choice | 70 |
4 | Beethoven antihero : sex, violence, and the aesthetics of failure, or listening to the Ninth Symphony as postmodern sublime | 109 |
5 | Passion/mirrors (a passion for the violent ineffable : modernist music and the angel/in the hall of mirrors) | 154 |
6 | Uncertainty, disorientation, and loss as responses to musical structure | 173 |
7 | Collective listening : postmodern critical processes and MTV | 201 |
8 | One bar in eight : Debussy and the death of description | 233 |
9 | The return of the aesthetic : musical formalism and its place in political critique | 252 |
Afterword : toward the next paradigm of musical scholarship | 279 |
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Add Beyond Structural Listening?: Postmodern Modes of Hearing, In a highly influential essay, Rose Rosengard Subotnik critiques structural listening as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume, prominent young music historians, Beyond Structural Listening?: Postmodern Modes of Hearing to the inventory that you are selling on WonderClubX
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Add Beyond Structural Listening?: Postmodern Modes of Hearing, In a highly influential essay, Rose Rosengard Subotnik critiques structural listening as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume, prominent young music historians, Beyond Structural Listening?: Postmodern Modes of Hearing to your collection on WonderClub |