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| Acknowledgments | ||
| Permissions | ||
| Ch. 1 | Introduction: Becoming Cleopatra | 1 |
| Pt. I | Cleopatra and the White Imaginary | |
| Ch. 2 | African Dreams, Egyptian Nightmares: Cleopatra and Becoming England | 33 |
| Ch. 3 | Cleopatra and the Birth of Film: Staging Perpetual Motion | 59 |
| Ch. 4 | Egyptian Scandals: Elizabeth Taylor's Cleopatra and the White Grotesque | 93 |
| Pt. II | Cleopatra and African American Counternarratives | |
| Ch. 5 | Becoming Cleopatra/Becoming Girl: Shaw's Caesar and Cleopatra, Her Favorite Roman and Reclaiming the Lives of Black Girls | 121 |
| Ch. 6 | Cleopatra Jones: Blaxploitation and Tactical Alliances with Shakespeare | 145 |
| Ch. 7 | Queering Cleo: Set It Off and Queen Latifah's "Butch-in-the-Hood" | 171 |
| Epilogue: Cleopatra in an Age of Racial Profiling | 197 | |
| Notes | 211 | |
| Selected Bibliography | 243 | |
| Index | 253 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Jill Edward
reviewed Becoming Cleopatra: The Shifting Image of an Icon on October 21, 2010 Becoming Cleopatra: The Shifting Image of an Icon
As with most everything -- Harold Bloom is a master in making Shakespeare more accessible and exciting.
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