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List of Illustrations | ||
Foreword | ||
Preface | ||
Ch. 1 | A Short Survey Concerning the Development of the String Bass During the Sixteenth and Seventeenth Centuries | 1 |
Polemics | 10 | |
Derivation | 14 | |
Geige/Bassgeige | 16 | |
Contradictions | 19 | |
Ch. 2 | The Violone in Italy | 23 |
"Violoni ovvero contrabassi" | 30 | |
Michael Praetorius | 35 | |
Notation in 16' and 8' | 40 | |
Baritone Clef | 44 | |
Ch. 3 | Trio sonata | 47 |
Jakob Stainer's Violone | 56 | |
Ch. 4 | The Violone in France | 63 |
Ch. 5 | Violone/Contrabbasso | 73 |
Low Range of "C" | 80 | |
Ch. 6 | Corelli's Use of the Violone | 91 |
Violone and Violoncello | 102 | |
Ch. 7 | Terminology in the Eighteenth Century | 111 |
"Subjects of the Highest Necessity" | 116 | |
Ch. 8 | The Violone as a Concert Instrument | 125 |
The Three-String Double Bass | 133 | |
Ch. 9 | The Violone/Double Bass Since the Nineteenth Century | 143 |
Ch. 10 | Concluding Remarks Concerning Violone and Double-Bass Making | 153 |
Bibliography | 163 | |
Appendix | 177 | |
Index | 181 |
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