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List of Figures | ||
List of Tables | ||
List of Plates | ||
Preface | ||
Acknowledgments | ||
Introduction | 3 | |
Pt. 1 | Musical Discourses from Sukawati: The Transition from Traditional to Modern | |
Ch. 1 | Historical Accounts of the Shadow Play Tradition in Banjar Babakan, Sukawati | 35 |
Ch. 2 | Bapak I Wayan Loceng: Proverbs, Metaphors, and Musical Techniques | 73 |
Ch. 3 | Interviews with the Young Generation of Shadow Play Performers in Banjar Babakan, Sukawati | 95 |
Pt. 2 | Musical Discourses in the Context of STSI, The Indonesian College for the Arts in Denpasar, Bali: STSI as a Mirror of Modernization Based on Continuity and Change | |
Ch. 4 | The Practices and Principles of STSI: Preservation and Development of Balinese Arts | 147 |
Ch. 5 | STSI and Scholarship: Balinese Written Discourses on Music and the Shadow Play | 185 |
Ch. 6 | The Political Role of STSI: Indonesian Cultural Diplomacy and Cultural Policy | 221 |
Conclusion | 237 | |
App. 1 | Original Indonesian Text of Interviews, Accounts, Dialogues, and Conversations with Scholars and Performers from Sukawati | 245 |
App. 2 | Key to the Notation and Musical Transcription of "Sulendra" | 255 |
App. 3 | Original Indonesian Text of Interviews, Accounts, Dialogues, and Conversations with Faculty and Students at STSI as well as Brief Citations of Balinese Written Discourses | 273 |
App. 4 | The Opening Four Verses of Prakempa: Sebuah Lontar Gambelan Bali | 277 |
Notes | 279 | |
Glossary | 329 | |
Bibliography | 343 | |
Index | 363 |
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