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Acknowledgments | ||
Introduction | ||
1 | Ethics of the Witness: The Participatory Dances of Cie Felix Ruckert | 1 |
2 | Reaction Tactics: Redefining Postmodern Spectator Response and Expectations | 15 |
3 | Still Signaling through the Flames: The Living Theatre's Use of Audience Participation in the 1990s | 23 |
4 | It Matters for whom You Dance: Audience Participation in Rasa Theory | 37 |
5 | Audience Participation in the Eighteenth-Century London Theatre | 55 |
6 | The Challenge of Participation: Audiences at Living Stage Theatre Company | 71 |
7 | Manipulation of the Mind: Fiction in the Performances of Penn and Teller | 89 |
8 | Looking at Looking (at Looking): Experiments in the Interrogation of Spectating | 101 |
9 | The Audience in Cyberspace: Audience-Performer Interactivity in Online Performance | 115 |
10 | Once upon a Time: The Story of the Pantomime Audience | 133 |
11 | Audience at Risk: Space and Spectators at Feminist Performance | 149 |
12 | "Walking in the Steps of Your Forefathers": Locating the Actor and the Audience in Derry's Siege Pageant | 167 |
13 | Community-Based Theatre: A Participatory Model for Social Transformation | 185 |
14 | The (Oc)cult of Personality: Initiating the Audience into The Edwardian Mysteries | 199 |
Index | 213 | |
About the Authors | 217 |
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