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Acknowledgments | ||
Introduction: The Modern Conception of Art | 1 | |
1 | The Quest for the Essence of Art | 13 |
2 | Wittgensteinian Philosophies of Art | 21 |
3 | Art as History and Theory | 33 |
4 | The Histories of Philosophy | 43 |
5 | Conceptions of History | 49 |
6 | Art and Science | 63 |
7 | New Discoursive Practices | 71 |
8 | Art, Manners, and the Presentation of the Self | 83 |
9 | Standards of Taste | 91 |
10 | Shaftesbury and the Morality of Art Appreciation | 107 |
11 | The Reformation of Manners | 119 |
12 | Politeness | 129 |
13 | Hutcheson and the Problem of Conspicuous Consumption | 139 |
14 | From the Morality to the Autonomy of Art | 151 |
15 | Art, Autonomy, and Ideology | 171 |
Notes | 185 | |
References | 193 | |
Index | 207 |
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Add Art in the social order, For the first time, a historical examination of the origin of our ideas of art are related to questions in contemporary art theory. Mortensen shows that our conception of art emerged in the eighteenth century as part of new ideas of edification and of the, Art in the social order to the inventory that you are selling on WonderClubX
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Add Art in the social order, For the first time, a historical examination of the origin of our ideas of art are related to questions in contemporary art theory. Mortensen shows that our conception of art emerged in the eighteenth century as part of new ideas of edification and of the, Art in the social order to your collection on WonderClub |