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Acknowledgments | ||
Introduction: "Blackness" and Authenticity: What's Performance Got to Do with It? | 1 | |
1 | The Pot Is Brewing: Marlon Riggs's Black Is ... Black Ain't | 17 |
2 | Manifest Faggotry: Queering Masculinity in African American Culture | 48 |
3 | Mother Knows Best: Blackness and Transgressive Domestic Space | 76 |
4 | "Nevah Had uh Cross Word": Mammy and the Trope of Black Womanhood | 104 |
5 | Sounds of Blackness Down Under: The Cafe of the Gate of Salvation | 160 |
6 | Performance and/as Pedagogy: Performing Blackness in the Classroom | 219 |
App. A | Mary Rhyne's Narrative | 257 |
App. B | Interview with Mrs. Smith | 311 |
Notes | 315 | |
Bibliography | 345 | |
Index | 361 |
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