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Appropriating Blackness: Performance and the Politics of Authenticity Book

Appropriating Blackness: Performance and the Politics of Authenticity
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  • Appropriating Blackness: Performance and the Politics of Authenticity
  • Written by author E. Patrick Johnson
  • Published by Duke University Press, January 2003
  • A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity.
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Authors

Acknowledgments
Introduction: "Blackness" and Authenticity: What's Performance Got to Do with It?1
1The Pot Is Brewing: Marlon Riggs's Black Is ... Black Ain't17
2Manifest Faggotry: Queering Masculinity in African American Culture48
3Mother Knows Best: Blackness and Transgressive Domestic Space76
4"Nevah Had uh Cross Word": Mammy and the Trope of Black Womanhood104
5Sounds of Blackness Down Under: The Cafe of the Gate of Salvation160
6Performance and/as Pedagogy: Performing Blackness in the Classroom219
App. AMary Rhyne's Narrative257
App. BInterview with Mrs. Smith311
Notes315
Bibliography345
Index361


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