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Preface to the Series | ||
Preface to the Volume | ||
Pt. 1 | Materials | |
Pt. 2 | Approaches | |
Teaching To the Lighthouse as a Traditional Novel | 35 | |
"For Nothing Is Simply One Thing": Knowing the World in To the Lighthouse | 41 | |
Returning to the Lighthouse: A Postmodern Approach | 47 | |
The Language of Fabric in To the Lighthouse | 54 | |
Reading Provisionally: Narrative Theory and To the Lighthouse | 60 | |
"Some Rope to Throw to the Reader": Teaching the Diverse Rhythms of To the Lighthouse | 66 | |
Twenty Years to the Lighthouse: A Teaching Voyage | 72 | |
Reading and Writing: Helping Students Discover Meaning in To the Lighthouse | 79 | |
Look Again: Reading To the Lighthouse from an Aesthetic of Likeness | 85 | |
What Teaching To the Lighthouse Taught Me about Reading Virginia Woolf | 91 | |
Reading To the Lighthouse as a Critique of the Imperial | 97 | |
Articulating the Questions, Searching for Answers: How To the Lighthouse Can Help | 107 | |
From the Dark House to the Lighthouse: The Ramsays as Dysfunctional Family | 114 | |
Transformations: Teaching To the Lighthouse with Autobiographies and Family Chronicles | 119 | |
To the Lighthouse and Painting | 129 | |
To the Lighthouse and the Publishing Practices of Virginia Woolf | 136 | |
Teaching To the Lighthouse as a Civilian War Novel | 142 | |
"I Have Had My Vision": Teaching To the Lighthouse as Kunstelerroman | 148 | |
Portraits of Artists by Woolf and Joyce | 157 | |
Pear Trees beyond Eden: Women's Knowing Reconfigured in Wolf's To the Lighthouse and Hurston's Their Eyes Were Watching God | 163 | |
Compulsory Heterosexuality and the Lesbian Continuum in To the Lighthouse: A Women's Studies Approach | 169 | |
Notes on Contributors | 177 | |
Survey Participants | 181 | |
Works Cited | ||
Index | 207 |
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