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Acknowledgments | ||
Introduction: The legs of sense | 1 | |
Pt. I | Dialogue and inscription | |
1 | Othello, Bakhtin and the death(s) of dialogue | 11 |
2 | P.s.: Plato's scene of reading in the Protagoras | 45 |
Pt. II | Parables of exteriority: materiality in "classic" American texts | |
3 | Too legit to quit: the dubious genealogies of pragmatism | 89 |
4 | Poe's Foot d'Or: ruinous rhyme and Nietzschean recurrence (sound) | 105 |
5 | Only the dead know Brooklyn ferry (voice) | 127 |
6 | The letters of the law: "Bartleby" as hypogrammatic romance (letters) | 152 |
Pt. III | Pre-posterous modernisms | |
7 | Conrad's fault (signature) | 181 |
8 | Miss Emily, c'est moi: the defacement of modernism in Faulkner (inscription and social form) | 208 |
9 | Hitchcock and the death of (Mr.) Memory (technology of the visible) | 227 |
Coda: Post-humanist reading | 260 | |
Index | 265 |
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Add Anti-Mimesis from Plato to Hitchcock, Vol. 10, The material elements of writing have long been undervalued; but analysis of these elements—sound, signature, letters—can transform our understanding of major texts. Tom Cohen argues in this book that in an era of representational criticism the role of cl, Anti-Mimesis from Plato to Hitchcock, Vol. 10 to the inventory that you are selling on WonderClubX
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Add Anti-Mimesis from Plato to Hitchcock, Vol. 10, The material elements of writing have long been undervalued; but analysis of these elements—sound, signature, letters—can transform our understanding of major texts. Tom Cohen argues in this book that in an era of representational criticism the role of cl, Anti-Mimesis from Plato to Hitchcock, Vol. 10 to your collection on WonderClub |