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| Preface | ||
| Acknowledgements | ||
| 1 | Introduction: different trains | 1 |
| 2 | Stravinsky's Symphonies: accident or design? | 35 |
| 3 | Transcription and recomposition: the strange case of Zemlinsky's Maeterlinck songs | 72 |
| 4 | Symphony and symphonic scenes: issues of structure and context in Schumann's 'Rhenish' Symphony | 120 |
| 5 | The poetry of Debussy's En blanc et noir | 149 |
| 6 | Poems as non-verbal text: Elliott Carter's Concerto for Orchestra and Saint-John Perse's Winds | 169 |
| 7 | Birtwistle's secret theatres | 207 |
| 8 | The narrative impulse in the second Nachtmusik from Mahler's Seventh Symphony | 226 |
| 9 | 'Von heute auf morgen': Schoenberg and the New Criticism | 242 |
| 10 | Misleading voices: contrasts and continuities in Stravinsky studies | 271 |
| 11 | Immortal voices, mortal forms | 288 |
| 12 | 'So who are you'? Webern's Op. 3 No. 1 | 301 |
| Index | 315 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Alfredo V Montenegro
reviewed Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music on September 01, 2014
Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music
Kudos to the author for his ability to fill a book about the use of of echo and reverb in music and film. Theres a lot of fluff and opinion here that could have been edited better. The author is well versed in many styles of music and quotes some of the best music writers. A key theme of the book is the concept of spatial recording to evoke a sense of place or to enhance lyrical content. I enjoyed the Robert Johnson/Ry Cooder theory and the chapter on the commercialization of Hawaiian music.
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