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As she prepares dinner for her husband and their extended family, Suzanne hears on the radio that a jetliner has crashed and her lover is dead. Alex Elling was a renowned orchestra conductor. Suzanne is a concert violist, long unsatisfied with her marriage to a composer whose music turns emotion into thought. Now, more alone than she's ever been, she must grieve secretly. But as complex as that effort is, it pales with the arrival of Alex's widow, who blackmails her into completing the score for Alex's unfinished viola concerto. As Suzanne struggles to keep her double life a secret from her husband, from her best friend, and from the other members of her quartet, she is consumed by memories of a rich love affair saturated with music. Increasingly manipulated by her lover's widow and tormented by the concerto's many layers, Suzanne realizes she may lose everything she's spent her life working for. A story of love, loss, sex, class, and betrayal, this psychologically compelling novel explores the ways that artists' lives and work interact, the nature of relationships among women as friends and competitors, and what it means to make a life of art.
Blackwell’s melodramatic fourth novel dwells on the odd circumstances that befall an unhappily married concert violist. Suzanne learns of the death of Alex Elling, an orchestral conductor and her lover, as she fixes a meal for her stoic husband, Ben, manipulative best friend, Petra, and her young deaf daughter, Adele. Struggling to remain composed, Suzanne later finds solace in her memories and music, though it’s difficult to sympathize with her suffering; with so many musicians crowding the narrative, the story sags under the weight of passages filled with musical history and discussions between musicians in Suzanne’s quartet. Suzanne continues to keep her love affair a secret, but when Alex’s widow, Olivia, begins to call her home with cryptic messages, she fears she could be exposed. Unable to resist the tie to her lover, Suzanne visits Olivia and discovers he had been composing a score for her. In the stilted confrontation that follows, Olivia blackmails Suzanne into completing the score. Though Blackwell (The Unnatural History of Cypress Parish) manages a few twists, the frequently overwrought writing is a big turn-off. (Apr.)
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