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Acknowledgments | ||
Introduction | 1 | |
Rae Armantrout | 18 | |
As We're Told | 18 | |
The Plan | 18 | |
View | 20 | |
Up to Speed | 20 | |
Manufacturing | 22 | |
Cheshire Poetics | 24 | |
The Poetry of Rae Armantrout | 27 | |
Mei-Mei Berssenbrugge | 53 | |
From Four Year Old Girl | 53 | |
From Kali | 56 | |
From The Retired Architect | 60 | |
By Correspondence | 61 | |
Berssenbrugge's Phenomenological Investigations | 68 | |
Lucie Brock-Broido | 94 | |
The One Thousand Days | 94 | |
Soul Keeping Company | 95 | |
Periodic Table of Ethereal Elements | 96 | |
Am Moor | 98 | |
Carrowmore | 99 | |
Myself a Kangaroo Among the Beauties | 100 | |
The Selves of Lucie Brock-Broido | 103 | |
Jorie Graham | 127 | |
Exit Wound | 127 | |
Covenant | 131 | |
Prayer | 134 | |
Gulls | 135 | |
The Complex Mechanism of the Break | 138 | |
In/Silence | 140 | |
Philosopher's Stone | 142 | |
At the Border | 146 | |
Singing to Use the Waiting | 148 | |
Barbara Guest | 178 | |
Valorous Vine | 178 | |
If So, Tell Me | 179 | |
Confession of My Images | 180 | |
Defensive Rapture | 181 | |
An Emphasis Falls on Reality | 183 | |
The Farewell Stairway | 185 | |
Words | 188 | |
The Forces of the Imagination | 189 | |
The Work of Barbara Guest | 191 | |
Lyn Hejinian | 222 | |
From Writing Is an Aid to Memory | 222 | |
From Happily | 229 | |
Some Notes toward a Poetics | 235 | |
Parting with Description | 242 | |
Brenda Hillman | 267 | |
A Geology | 268 | |
Twelve Writings toward a Poetics of Alchemy, Dread, Inconsistency, Betweenness, and California Geological Syntax | 276 | |
Expressive Experimentalism in the Work of Brenda Hillman | 281 | |
Susan Howe | 308 | |
From Chair | 308 | |
There Are Not Leaves Enough to Crown to Cover to Crown to Cover | 325 | |
Singularities and the Countermethod in Susan Howe | 329 | |
Ann Lauterbach | 353 | |
In the Museum of the Word (Henri Matisse) | 353 | |
STONES (Istanbul, Robert Smithson) | 358 | |
As (It) Is: Toward a Poetics of the Whole Fragment | 363 | |
"Enlarging the Last Lexicon of Perception" in Ann Lauterbach's Framed Fragments | 367 | |
Harryette Mullen | 400 | |
Wino Rhino | 400 | |
Fancy Cortex | 400 | |
Music for Homemade Instruments | 401 | |
The Anthropic Principle | 401 | |
Sleeping with the Dictionary | 402 | |
Imagining the Unimagined Reader | 403 | |
Harryette Mullen's "Recyclopedia," | 405 | |
Contributors | 427 |
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