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Introduction | ||
Renascence | 3 | |
Interim | 10 | |
Afternoon on a Hill | 18 | |
Witch-Wife | 18 | |
When the Year Grows Old | 19 | |
"Time does not bring relief; you all have lied" | 20 | |
"If I should learn, in some quite casual way" | 21 | |
Bluebeard | 22 | |
First Fig | 23 | |
Second Fig | 23 | |
Recuerdo | 23 | |
To the Not Impossible Him | 24 | |
Grown-up | 25 | |
Daphne | 25 | |
Midnight Oil | 25 | |
The Philosopher | 26 | |
"I think I should have loved you presently" | 26 | |
"I shall forget you presently, my dear" | 27 | |
Eel-Grass | 28 | |
Elegy Before Death | 28 | |
Weeds | 29 | |
Passer Mortuus Est | 30 | |
Alms | 30 | |
Inland | 31 | |
Ebb | 32 | |
from Memorial to D. C.: I. Epitaph | 33 | |
from Memorial to D. C.: IV. Dirge | 33 | |
from Memorial to D. C.: V. Elegy | 34 | |
"Only until this cigarette is ended" | 35 | |
"Once more into my arid days like dew" | 36 | |
"When I too long have looked upon your face" | 36 | |
"And you as well must die, beloved dust" | 37 | |
"As to some lovely temple, tenantless" | 38 | |
Wild Swans | 38 | |
Autumn Chant | 39 | |
Feast | 40 | |
The Betrothal | 40 | |
The Ballad of the Harp-Weaver | 41 | |
Never May the Fruit Be Plucked | 46 | |
Hyacinth | 47 | |
To One Who Might Have Borne a Message | 47 | |
"Love is not blind. I see with single eye" | 48 | |
"Pity me not because the light of day" | 48 | |
"Here is a wound that never will heal, I know" | 49 | |
"Your face is like a chamber where a king" | 50 | |
"I, being born a woman and distressed" | 50 | |
"What lips my lips have kissed, and where, and why" | 51 | |
"How healthily their feet upon the floor" | 51 | |
"Euclid alone has looked on Beauty bare" | 52 | |
Sonnets from an Ungrafted Tree | 53 | |
To the Wife of a Sick Friend | 63 | |
To a Friend Estranged from Me | 64 | |
The Buck in the Snow | 65 | |
Evening on Lesbos | 65 | |
Dirge Without Music | 66 | |
Lethe | 67 | |
To Inez Milholland | 68 | |
To Jesus on His Birthday | 68 | |
"Not that it matters, not that my heart's cry" | 69 | |
Aria da Capo (1927) | 73 | |
AElfrida's Song | 97 | |
Love Scene | 99 | |
The Fang | 105 | |
Parisian Dream | 106 | |
Invitation to the Voyage | 108 | |
The Old Servant | 110 | |
Late January | 111 | |
The King of the Rainy Country | 111 | |
Mists and Rains | 112 | |
A Memory | 113 | |
Fatal Interview (1931) | 117 | |
Valentine | 147 | |
In the Grave No Flower | 147 | |
Childhood Is the Kingdom Where Nobody Dies | 148 | |
The Solid Sprite Who Stands Alone | 150 | |
Spring in the Garden | 151 | |
Sonnet ("Time, that renews the tissues of this frame") | 152 | |
Desolation Dreamed Of | 152 | |
On the Wide Heath | 153 | |
Two Sonnets in Memory | 154 | |
Conscientious Objector | 155 | |
Epitaph for the Race of Man | 156 | |
"Thus are our altars polluted; nor may we flee ..." | 166 | |
"The mind thrust out of doors" | 172 | |
The Snow Storm | 174 | |
Not So Far as the Forest | 174 | |
"Fontaine, Je Ne Boirai Pas De Ton Eau!" | 177 | |
The True Encounter | 178 | |
Czecho-Slovakia | 178 | |
Underground System | 179 | |
Two Voices | 180 | |
This Dusky Faith | 181 | |
To a Young Poet | 182 | |
To Elinor Wylie | 182 | |
"Now that the west is washed of clouds and clear" | 186 | |
"I too beneath your moon, almighty Sex" | 187 | |
"Thou famished grave, I will not fill thee yet" | 187 | |
"Not only love plus awful grief" | 188 | |
"Make bright the arrows" | 189 | |
An Eclipse of the Sun Is Predicted | 189 | |
"Gentlemen Cry, Peace!" | 190 | |
"I must not die of pity; I must live" | 191 | |
"They marched them out to the public square" | 192 | |
Small Hands, Relinquish All | 195 | |
Ragged Island | 196 | |
"To whom the house of Montagu" | 197 | |
"The courage that my mother had" | 199 | |
Armenonville | 199 | |
Dream of Saba | 200 | |
For Warmth Alone, for Shelter Only | 204 | |
"Black hair you'd say she had, or rather" | 204 | |
Steepletop | 206 | |
"Look how the bittersweet with lazy muscle move aside" | 207 | |
"Those hours when happy hours were my estate" | 209 | |
"Not to me, less lavish - though my dreams have been splendid" | 209 | |
"Tranquility at length, when autumn comes" | 210 | |
Sonnet in Dialectic | 210 | |
"It is the fashion now to wave aside" | 211 | |
"Admetus, from my marrow's core I do" | 212 | |
"I will put Chaos into fourteen lines" | 212 | |
"And must I then, indeed, Pain, live with you" | 213 | |
"Felicity of Grief! - even Death being kind" | 213 | |
"If I die solvent - die, that is to say" | 214 | |
Biographical Note | 217 | |
Note on the Texts | 218 | |
Notes | 220 | |
Index of Titles and First Lines | 223 |
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