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Book Categories |
Preface | ||
The Prejudice of Aesthetics | 1 | |
Language against Fear: Chronicle of the Midseventies | 13 | |
Two Countries (Robert Penn Warren, Seamus Heaney) | 21 | |
Overseas and Under (Derek Walcott, Geoffrey Hill, Philip Levine) | 26 | |
The Present Bought on the Terms of the Past (Donald Justice) | 30 | |
Younger Poets (Marilyn Hacker, James McMichael, Alfred Corn) | 36 | |
In the Extreme (Sharon Olds, Katha Pollitt, Jorie Graham) | 39 | |
The Eclipse of Style (Galway Kinnell, Marge Piercy, A. R. Ammons, John Ashbery) | 53 | |
Sleeping Forms (W. S. Merwin, James Dickey, Hayden Carruth, Karol Wojtyla) | 58 | |
Chronicle of the Early Eighties | 63 | |
Auden's Images | 74 | |
In Exile (Derek Walcott, Seamus Heaney, Ted Hughes, Philip Levine) | 95 | |
In the Medieval Future (Frederick Turner) | 100 | |
In the Architecture of Absence (Vicki Hearne, Mary Jo Salter) | 104 | |
Chronicle of the Mideighties | 113 | |
On Forms of Feeling (John Hollander, Rachel Hadas) | 120 | |
The Old Campaigner (William Meredith) | 123 | |
Old Masters (Seamus Heaney, Gjertrud Schnackenberg, Amy Clampitt, Richard Wilbur) | 131 | |
Interview | 139 | |
Notes | 147 | |
Books under Review | 151 | |
Acknowledgments | 155 |
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Add All the rage, William Logan has been called the most dangerous poetry critic since Randall Jarrell. All the Rage collects his early critical works, including reviews and verse chronicles, a long essay on Auden's Imagery, an unpublished essay on The Prejudice of Aesthe, All the rage to the inventory that you are selling on WonderClubX
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Add All the rage, William Logan has been called the most dangerous poetry critic since Randall Jarrell. All the Rage collects his early critical works, including reviews and verse chronicles, a long essay on Auden's Imagery, an unpublished essay on The Prejudice of Aesthe, All the rage to your collection on WonderClub |