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Acknowledgments | viii | |
Against Fashion: The Avant-Garde and Clothing | ||
Fashion and Modernity | 2 | |
Romanticism: From Eccentricity to Artistic Dress | 4 | |
Rational, Artistic, and Aesthetic Dress in England | 5 | |
Henry van de Velde and Germany | 11 | |
Klimt and the Wiener Werkstatte | 23 | |
Futurism and Dress | 29 | |
The Russian Avant-Garde and Dress | 45 | |
Sonia Delaunay | 63 | |
Notes | 69 | |
Texts | ||
The New Dress | 80 | |
Dress Reform | 82 | |
A Lecture on Dress (1868) | 83 | |
Development in Dress | 96 | |
Of the Progress of Taste in Dress in Relation to Art Education | 105 | |
Slaves of Fashion | 111 | |
Woman's Dress | 113 | |
More Radical Ideas upon Dress Reform | 115 | |
The Relation of Dress to Art: A Note in Black and White on Mr Whistler's Lecture | 120 | |
The Individual Dress | 122 | |
The Artistic Improvement of Women's Clothing | 125 | |
A New Art Principle in Modern Women's Clothing | 137 | |
Artistic Dress and Personalized Dress | 143 | |
On the Becoming of Fashion | 148 | |
Questions of Fashion | 151 | |
Male Futurist Dress: A Manifesto | 155 | |
The Antineutral Dress: A Manifesto | 157 | |
Futurist Manifesto of Women's Fashion | 160 | |
The Futurist Manifesto of the Italian Hat | 162 | |
The Aesthetics of Dress: Sunny Fashion, Futurist Fashion | 164 | |
Manifesto for the Transformation of Male Clothing | 167 | |
The Futurist Manifesto of the Italian Tie | 170 | |
Present-Day Dress--Production Clothing | 172 | |
Concerning Contemporary Dress | 174 | |
The Russian Fashion | 177 | |
The Constructivist Dress | 178 | |
The Fortnight Review: The Reformers of Dress | 181 | |
On Her Dress She Has a Body | 182 | |
The Influence of Painting on Fashion | 183 | |
Artists and the Future of Fashion | 186 | |
Illustration Credits | 189 | |
Selected Bibliography | 198 | |
Index | 202 |
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Add Against Fashion: Clothing as Art, 1850-1930, The late nineteenth-century invention of fashion as we understand it today inspired avant-garde artists of the period to create an art form to counter commercial fashion. These artists saw clothing not as a symbol of class distinction but as a force for, Against Fashion: Clothing as Art, 1850-1930 to the inventory that you are selling on WonderClubX
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Add Against Fashion: Clothing as Art, 1850-1930, The late nineteenth-century invention of fashion as we understand it today inspired avant-garde artists of the period to create an art form to counter commercial fashion. These artists saw clothing not as a symbol of class distinction but as a force for, Against Fashion: Clothing as Art, 1850-1930 to your collection on WonderClub |