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| Introduction : the paradoxes of criticism | ||
| Pt. I | Performing art's histories | 21 |
| 1 | Solo solo solo | 23 |
| 2 | Binding to another's wound : of weddings and witness | 48 |
| 3 | This is I | 65 |
| Pt. II | Distracted and bored : the critic looks elsewhere | 79 |
| 4 | The trouble with men, or, sex, boredom, and the work of Vaginal Davis | 81 |
| 5 | Utopia's seating chart : Ray Johnson, Jill Johnston and queer intermedia as system | 101 |
| 6 | Looking away : participations in visual culture | 117 |
| Pt. III | Critical response/performative process | |
| 7 | Itinerant improvisations : from 'my favorite things' to an 'agency of night' | 137 |
| 8 | The experience of art as a living through of language | 156 |
| 9 | A transparent lecture | 176 |
| Selected bibliography | 207 |
| Price | Condition | Delivery | Seller | Action |
| $107.67 | Digital |
| WonderClub |
Johnny Nix
reviewed After Criticism on August 29, 2012
After Criticism
Beautiful color photos.
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Add After Criticism, It has recently become apparent that criticism is in trouble. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches that have sought to renew criticism's energies in th, After Criticism to the inventory that you are selling on WonderClubX
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Add After Criticism, It has recently become apparent that criticism is in trouble. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches that have sought to renew criticism's energies in th, After Criticism to your collection on WonderClub |