Adorno's Aesthetic Theory: The Redemption of Illusion Book

Acknowledgments
A Note on References
Introduction
I ConteXt
1 Historical Positions
1.1 Theodor W. Adorno (19031969)
1.2 Western MarXism
1.3 Critical Theory
2 Aesthetic Debates
2.1 Artistic Autonomy
2.2 Political Art
2.3 Aesthetic Modernism
3 Philosophical Motivations
3.1 ParataXis
3.2 Negative Dialectic
3.3 Critical Phenomenology
II Commentary
4 Society's Social Antithesis
4.1 MarXist Models
4.2 Art and Ideology
4.3 Advanced Capitalism and Autonomous Art
5 Art as Social Labor
5.1 Artistic Material
5.2 Modes of Production
5.3 The Artist as Worker
6 Political Migration
6.1 Artistic Import
6.2 Political Impact
6.3 Cultural Politics
7 ParadoXical Modernism
7.1 Culture after Auschwitz
7.2 Reification and Reconciliation
7.3 Adorno's Engame
8 Truth and Illusion
8.1 Antinomies of Illusion
8.2 Redemption of Import
8.3 Modern Art and Negative Dialectic
III Criticism
9 Models of Mediation
9.1 Adorno and Bürger
9.2 Autonomy, Truth, and Popular Art
9.3 Normative Aesthetics
10 Politics of Postmodernism
10.1 Deprivileged Subject
10.2 Jameson's Ambivalent Postmodernism
10.3 Beyond Reification
11 History, Art, and Truth
11.1 Wellmer's Stereoscopic Critique
11.2 Philosophical Truth Claims
11.3 Historical Truth Content
Notes
Bibliography
IndeX