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Book Categories |
Illustrations | ||
About This Edition | ||
Foreword | ||
Introduction to the Course | 1 | |
I | What Is Acting? | 15 |
II | What Must I Think? | 23 |
III | Who Is My Character? | 31 |
IV | What Are Feelings? | 39 |
V | What My Body Remembers | 49 |
VI | Stretching My Emotional Range | 55 |
VII | Planning My Performance | 63 |
VIII | Going Beyond My Boundaries | 73 |
IX | What Kind of Play Is It? | 81 |
X | Mastering My Five Senses | 91 |
XI | Creating Experiences I've Never Had | 99 |
XII | Can I Play Comedy? | 107 |
XIII | Working with the Director | 119 |
XIV | Finding My Way on Stage | 127 |
XV | Can I Play Shakespeare? | 145 |
XVI | Acting for the Camera | 159 |
XVII | Solving Special Problems | 167 |
XVIII | Sharpening My Skills | 177 |
Subject Index | 187 | |
Name Index | 191 |
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Add Acting Without Agony: An Alternative to the Method, This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky method and teaches another way of arriving at emotions, which is described, Acting Without Agony: An Alternative to the Method to the inventory that you are selling on WonderClubX
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Add Acting Without Agony: An Alternative to the Method, This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky method and teaches another way of arriving at emotions, which is described, Acting Without Agony: An Alternative to the Method to your collection on WonderClub |