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Book Categories |
A Note Before You Begin | ix | |
Introduction | xi | |
Part 1 | Analysis | |
1 | Why We Are Who We Are | 3 |
2 | Craft and Technique | 9 |
3 | The Parts of a Story | 13 |
4 | Beats | 17 |
5 | Key Phrases | 23 |
6 | Key Words | 29 |
7 | Story | 35 |
8 | Defining Action | 39 |
9 | Discerning Action | 49 |
10 | Scoring Your Script | 61 |
11 | Playing the Obvious | 67 |
Part 2 | Presentation | |
12 | Tempo and Rhythm | 73 |
13 | Volume and Intensity | 83 |
14 | Movement and Stillness | 93 |
15 | Focus | 111 |
16 | Beat Actions | 121 |
Part 3 | Activation | |
17 | Plan and Process | 129 |
18 | Playing Your Action | 135 |
19 | Listening | 141 |
20 | Playing for Each Other | 145 |
21 | Emotion | 149 |
22 | Why We Are Afraid | 153 |
Part 4 | Other Useful Stuff | |
23 | Auditioning | 159 |
24 | Cold Reading | 167 |
25 | Taking Direction | 173 |
26 | Blame and Excuses | 177 |
27 | Critics | 181 |
28 | The Acting Machine | 185 |
Appendixes | ||
A | An Outline of a Technique for Effective Acting | 187 |
B | A Sample Monologue Score | 193 |
C | A Sample Scene Score | 199 |
D | Other Stuff You Should Read | 211 |
Acknowledgments | 213 | |
Index | 215 | |
About the Author | 223 |
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Add Acting that Matters, Acting That Matters by Barry Pineo This groundbreaking guide defies most modern acting methods by rejecting emotion as an acting tool. With the help of this book, actors will see beyond the prevailing objective-obstacle approach and look primarily t, Acting that Matters to the inventory that you are selling on WonderClubX
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Add Acting that Matters, Acting That Matters by Barry Pineo This groundbreaking guide defies most modern acting methods by rejecting emotion as an acting tool. With the help of this book, actors will see beyond the prevailing objective-obstacle approach and look primarily t, Acting that Matters to your collection on WonderClub |