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List of Figures vii
Series Preface ix
Acknowledgements xi
Introduction: the Topography of an Acoustic Interculturalism 1
1 The Performativity of Sound and the Soundscapes of Culture 29
2 Acoustic Mimesis: Ethical Cadence and Sonic Violence in Tambours Sur La Digue 57
3 (Echo)Locating Other Shakespeares: an Aesthetics of Pop and the Ear of the Other 89
4 Listening in/to Asia: Ong Keng Sen's Desdemona and the Polyphonies of Asia 133
5 'If Music Be the Food of Love': 'Fourth World' Universals in Ong Keng Sen's Awaking 165
Conclusion: After Authenticity: Naming the Intercultural 197
Notes 215
References 229
Index 245
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