A Companion to Early Cinema Book

List of Contributors viii

Acknowledgments xiv

Introduction 1
Nicolas Dulac, André Gaudreault, and Santiago Hidalgo

Part I Early Cinema Cultures 13

1 The Culture Broth and the Froth of Cultures of So-called Early Cinema 15
André Gaudreault

2 Toward a History of Peep Practice 32
Erkki Huhtamo

3 “We are Here and Not Here”: Late Nineteenth-Century Stage Magic and the Roots of Cinema in the Appearance (and Disappearance) of the Virtual Image 52
Tom Gunning

4 The Féerie between Stage and Screen 64
Frank Kessler

5 The Théâtrophone, an Anachronistic Hybrid Experiment or One of the First Immobile Traveler Devices? 80
Giusy Pisano

6 The “Silent” Arts: Modern Pantomime and the Making of an Art Cinema in Belle Époque Paris: The Case of Georges Wague and Germaine Dulac 99
Tami Williams

Part II Early Cinema Discourses 119

7 First Discourses on Film and the Construction of a “Cinematic Episteme” 121
François Albera

8 The Discourses of Art in Early Film, or, Why Not Rancière? 141
Rob King

9 Sensationalism and Early Cinema 163
Annemone Ligensa

10 From Craft to Industry: Series and Serial Production Discourses and Practices in France 183
Laurent Le Forestier

11 Early American Film Publications: Film Consciousness, Self Consciousness 202
Santiago Hidalgo

12 Early Cinema and Film Theory 224
Roger Odin

Part III Early Cinema Forms 243

13 A Bunch of Violets 245
Ben Brewster

14 Modernity Stops at Nothing: The American Chase Film and the Specter of Lynching 257
Jan Olsson

15 “The Knowledge Which Comes in Pictures”: Educational Films and Early Cinema Audiences 277
Jennifer Peterson

16 Motion Picture Color and Pathé-Frères: The Aesthetic Consequences of Industrialization 298
Charles O ’ Brien

Part IV Early Cinema Presentations 315

17 The European Fairground Cinema: (Re)defining and (Re)contextualizing the “Cinema of Attractions” 317
Joseph Garncarz

18 Early Film Programs: An Overture, Five Acts, and an Interlude 334
Richard Abel

19 “Half Real-Half Reel”: Alternation Format Stage-and-Screen Hybrids 360
Gwendolyn Waltz

20 Advance Newspaper Publicity for the Vitascope and the Mass Address of Cinema ’s Reading Public 381
Paul S. Moore

21 Storefront Theater Advertising and the Evolution of the American Film Poster 398
Kathryn H. Fuller-Seeley

22 Bound by Cinematic Chains: Film and Prisons during the Early Era 420
Alison Griffiths

Part V Early Cinema Identities 441

23 Anonymity: Uncredited and Unknown in Early Cinema 443
Jane M. Gaines

24 The Invention of Cinematic Celebrity in the United Kingdom 460
Andrew Shail

25 The Film Lecturer 487
Germain Lacasse

26 Richard Hoffman: A Collector’s Archive 498
Richard Koszarski

Part VI Early Cinema Recollections 525

27 Early Films in the Age of Content; or, “Cinema of Attractions” Pursued by Digital Means 527
Paolo Cherchi Usai

28 Multiple Originals: The (Digital) Restoration and Exhibition of Early Films 550
Giovanna Fossati

29 Pointing Forward, Looking Back: Reflexivity and Deixis in Early Cinema and Contemporary Installations 568
Nanna Verhoeff

30 Is Nothing New? Turn-of-the-Century Epistemes in Film History 587
Thomas Elsaesser

Index 610