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Preface | ||
What about Medieval Humour? Some Historiography | 1 | |
The Comedy of Corpses in Medieval Comic Tales | 11 | |
Laughing at the Language of Love: the Limits of Linguistic Representation in John Heywood's 'A Play of Love' | 31 | |
Entre folie et raison: les droleries du ms. B.N., fr. 25526 | 43 | |
Les illustrations marginales du 'Roman d'Alexandre' (Oxford, Bodleian Library, Bodley 264) | 75 | |
Quelques effects burlesques dans le 'Livre des Manieres' | 119 | |
La plaisanterie dans le 'Lai de Nabaret' | 129 | |
Fabliau et satire clericale: la specificite de 'Frere Denise' par Rutebeuf | 143 | |
Les 'us' des femmes et la 'clergie' dans 'Richeut' | 155 | |
Halfway to Quixote: Humour in 'Blandin de Cornoalha' | 173 | |
Of Wives and Men: Middle Dutch Fabliaux on a Hot Urban Issue | 181 | |
Viole(nt)-Stories: The Violet Story and its Adaptations in the Neidhart Plays | 195 | |
Footsteps in the Snow: A Latin Tale from Charlemagne to Justus Lipsius and Beyond | 207 | |
Index codicum manu scriptorum | 219 | |
Index auctorum operumque | 221 |
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Add Risus Mediaevalis: Laughter in Medieval Literature & Art, Laughter, often defined as humankind's exclusive characteristics, remains in itself an ambiguity. All the more so when one attempts to understand it in a culture from the past. Can humour be considered as a universal and ahistorical phenomenon? Or do we a, Risus Mediaevalis: Laughter in Medieval Literature & Art to the inventory that you are selling on WonderClubX
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Add Risus Mediaevalis: Laughter in Medieval Literature & Art, Laughter, often defined as humankind's exclusive characteristics, remains in itself an ambiguity. All the more so when one attempts to understand it in a culture from the past. Can humour be considered as a universal and ahistorical phenomenon? Or do we a, Risus Mediaevalis: Laughter in Medieval Literature & Art to your collection on WonderClub |