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Book Categories |
Introduction to the Series | ||
List of Plates | ||
Acknowledgments | ||
Introduction | 1 | |
1 | Theatre Training in Poland | 13 |
2 | The Hochschule fur Schauspielkunst "Ernst Busch" Berlin: Theatre Training in Post-GDR Berlin | 33 |
3 | Mapping Training/Mapping Performance: Current Trends in Australian Actor Training | 47 |
4 | Actor Training in the United States: Past, Present and Future (?) | 61 |
5 | Invisible Training in Balinese Performance | 85 |
6 | A Study in Motley: The Odin Actors | 93 |
7 | Ambivalent Positionings: Grotowski's Art as Vehicle and the Paradox of Categorization | 117 |
8 | Beckett in Kyogen Style: Lessons in Intercultural Translation | 133 |
9 | Workshops for the World: The International Workshop Festival | 155 |
10 | SITI - A Site of Stillness and Surprise: Ann Bogart's Viewpoints Training Meets Tadashi Suzuki's Method of Actor Training | 171 |
11 | Entering the Political Discussion by Artistic Means: ELIA Master Class on Acting 1994 | 191 |
12 | Alba Emoting: A Revolution in Emotion for the Actor | 205 |
Notes on Contributors | 221 | |
Index | 225 |
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