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Book Categories |
Introduction to the Series | ||
Foreword: Corresponding Scores | ||
Introduction: Postmodern Musical Poetics and the Problem of "Close Reading" | 1 | |
"A Few Words to Sing" | 15 | |
Feminist Theory, Music Theory, and the Mind/Body Problem | 37 | |
Superior Myths, Dogmatic Allegories: The Resistance to Musical Unity | 57 | |
Rewriting Schenker: Narrative - History - Ideology | 113 | |
Analytical Fictions | 157 | |
Lieder, Listeners, and Ideology: Schubert's "Alinde" and Opus 81 | 179 | |
The Slience of the Frames | 213 | |
Voices Within the Voice: Geno-text and Pheno-text in Berio's Sequenza III | 233 | |
Desire, Repression and Brahms's First Symphony | 247 | |
Commentary: Poststructuralism and Issues of Music Theory | 289 | |
Permissions | 311 |
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