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Preface
Introduction - European Cinema: Conditions of Impossibility? [2005]
National Cinema: Re-Definitions and New Directions
European Culture, National Cinema, the Auteur and Hollywood [1994]
ImpersoNations: National Cinema, Historical Imaginaries [2005]
Film Festival Networks: the New Topographies of Cinema in Europe [2005]
Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005]
Auteurs and Art Cinemas: Modernism and Self-Reference
Ingmar Berman - Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994]
Late Losey: Time Lost and Time Found [1985]
Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse [1992]
Spellbound by Peter Greenaway: In the Dark ... and Into the Light [1996]
The Body as Perceptual Surface: The Films of Johan van der Keuken [2004]
Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel [1992]
Touching Base: Some German Women Directors in the 1980s [1987]
Europe-Hollywood-Europe
Two Decades in Another Country: Hollywood and the Cinephiles [1975]
Raoul Ruiz's Hypothèse du Tableau Volé [1984]
Images for Sale: The "New" British Cinema [1984]
"If You Want a Life": The Marathon Man [2003]
British Television in the 1980s Through The Looking Glass [1990]
German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror [2003]
Central Europe Looking West
Of Rats and Revolution:Dusan Makavejev's The Switchboard Operator [1968]
Defining DEFA's Historical Imaginary: The Films of Konrad Wolf [2001]
Under Western Eyes: Who Does Zizek Want? [1995]
Our Balkanist Gaze: About Memory's No Man's Land [2003]
Europe Haunted by History and Empire
Is History an Old Movie? [1986]
Edgar Reitz' Heimat: Memory, Home and Hollywood [1985]
Discourse and History: One Man's War - An Interview with Edgardo Cozarinsky [1984]
Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes [1989]
Joseph Losey's The Go-Between [1972]
Games of Love and Death: Peter Greenaway and Other Englishmen [1988]
Border-Crossings: Filmmaking without a Passport
Peter Wollen's Friendship's Death [1987]
Andy Engel's Melancholia [1989]
On the High Seas: Edgardo Cozarinsky's Dutch Adventure [1983]
Third Cinema/World Cinema: An Interview with Ruy Guerra [1972]
Ruy Guerra's Erendira [1986]
Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema [1992]
Conclusion
European Cinema as World Cinema: A New Beginning? [2005]
European Cinema: A Brief Bibliography
Life of Sources and Places of First Publication
Index
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Add European Cinema; Face To Face With Hollywood, Has European cinema, in the age of globalization, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere fo, European Cinema; Face To Face With Hollywood to the inventory that you are selling on WonderClubX
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Add European Cinema; Face To Face With Hollywood, Has European cinema, in the age of globalization, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere fo, European Cinema; Face To Face With Hollywood to your collection on WonderClub |